The Art of Light on Stage is the first history of theatre lighting design to bring the story right up to date. In this extraordinary volume, award-winning designer Yaron Abulafia explores the poetics of light, charting the evolution of lighting design against the background of contemporary performance. The book looks at the material and the conceptual; the technological and the transcendental. Never before has theatre design been so vividly and excitingly illuminated.
The book examines the evolution of lighting design in contemporary theatre through an exploration of two fundamental issues:
1. What gave rise to the new directions in lighting design in contemporary theatre?
2. How can these new directions be viewed within the context of lighting design history?
The study then focuses on the phenomenological and semiotic aspects of the medium for light – the role of light as a performer, as the medium of visual perception and as a stimulus for imaginative representations – in selected contemporary theatre productions by Robert Wilson, Romeo Castellucci, Heiner Goebbels, Jossi Wieler and David Zinder.
This ground-breaking book will be required reading for anyone concerned with the future of performance.
Le informazioni nella sezione "Riassunto" possono far riferimento a edizioni diverse di questo titolo.
List of Figures
Foreword
Acknowledgements
Introduction
The Context
The Questions
Main Themes and Objectives
Motivation and Goal
Towering Figures in the History of Theatre Lighting Design
Sir Henry Irving (1838-1905)
David Belasco (1853-1931)
Adolphe Appia (1862-1928)
Edward Gordon Craig (1872-1966)
Light and the Theatre of the Symbolists
Bertolt Brecht (1898-1956)
Josef Svoboda (1920-2002)
Conclusion
Light Art – the Rising Autonomy of Artificial Light
Light in the Visual Arts
Conclusion
Theoretical Framework
Semiotics
On the Adaptation of Semiotics to the Framework of Theatre Studies
A Critique of Structuralist Semiotics for Theatre Analysis
Phenomenology
On the Phenomenology of Embodiment
On the Adaptation of Phenomenology to the Framework of Theatre Studies
Mediology
On Art and the Neuro-Cognitive Sciences
Light, Colour Response and Neuroscience
Conclusion
A New Conceptual Framework for the Analysis of Light
A Few Notes on Practicality
Getting started: What Should We Seek Out through the Aesthetic Analysis?
What should we seek out through the Semiotic and Poetic analysis?
Six Grounds of Representation
Narrative
Character
Theme or (Dramatic) Action
Atmosphere or Emotion
Sensation of Light Itself
Open Meaning
Dramaturgy of Light
Introduction to Performance Analyses
Madama Butterfly
Introduction
The Light-Image of Butterfly’s First Entrance
Aesthetic Analysis of the Light-Image
Semiotic and Poetic Analysis of the Light-Image
The Dramaturgy of Light in Madama Butterfly
On the Concept of the Face, regarding the Son of God
Introduction
Scenography and costumes
The course of action – the opening scene
"Let the Little Children Come to Me" (Matthew 19: 14) – the 1st light-image
Aesthetic Analysis of the Light-Image
Semiotic and Poetic Analysis of the Light-Image
"Let the Little Children Come to Me" (Matthew 19: 14) – the 2nd light-image
Aesthetic Analysis of the Light-Image
Semiotic and Poetic Analysis of the Light-Image
The Resurrection of the Face – the closure scene
Aesthetic Analysis of the Light-Image
Semiotic and Poetic Analysis of the light-image
The dramaturgy of light in On the Concept of the Face regarding the Son of God
Stifters Dinge
Introduction
Light-image: Waves of Light
Aesthetic Analysis of the Light-Image
Semiotic and Poetic Analysis of the Light-Image
The Dramaturgy of Light in Stifters Dinge
Rechnitz (Der Würgeengel)
Introduction
On the Structure and Characteristics of Rechnitz
The Shooting Scene – 1st Light-ImageAesthetic Analysis of the Light-Image
Semiotic and Poetic Analysis of the Light-Image
The Town Residents – 2nd Light-Image
Aesthetic Analysis of the Light-Image
Semiotic and Poetic Analysis of the Light-Image
The Dramaturgy of Light in Rechnitz
Peer Gynt
Introduction
About the Adaptation of the Play
Young Solveig and Aase Seek Peer – 1st Light-image
Aesthetic Analysis of the Light-Image
Semiotic and Poetic Analysis of the Light-Image
Peer Nurses Aase on her Deathbed – 2nd Light-Image
Aesthetic Analysis of the Light-Image
Semiotic and Poetic Analysis
The Dramaturgy of Light in Peer Gynt
Epilogue
Appendix: Glossary
Index
Le informazioni nella sezione "Su questo libro" possono far riferimento a edizioni diverse di questo titolo.
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