Female filmmakers are hitting the headlines. The last five years have witnessed: the first Best Director Academy Award won by a woman; women filmmakers emerging from Saudi Arabia, Brunei, Iran, South Korea, Japan, Paraguay, Uruguay, Burkina Faso and Kenya; the first stirrings of a ‘trans cinema’, with the release of films that represent transgender characters and their experiences, challenging our understanding of gender and identity; feminist porn screened at public festivals; and Pussy Riot’s online documentation of offline activism sending shockwaves around the world. Political Animals argues that a new wave of feminist cinema is speaking to a new audience hungry for intersectional accounts of women in the public sphere that are missing in the mainstream. It reveals how innovative production and distribution strategies are responding to urgent political situations (resulting in colourful guerrilla aesthetics exemplified in the rough, D.I.Y, online videos made by Pussy Riot, but equally found in recent documentaries and features by established filmmakers too) and tunes in to the transnational, transgenerational conversations that are taking place between filmmakers such as Sally Potter, Claire Denis, Barbara Hammer, Mania Akbari, Haifaa al-Mansour, Emily Jacir, Andrea Arnold and Clio Barnard. Courageous and complex, the new feminist cinema is a political animal that, while laying claim to the public sphere as its own, refuses to be domesticated by it.
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Sophie Mayer is a writer, editor, blogger and educator. She works with English PEN, is currently the Poet in Residence at the Archive of the Now, and is a film journalist for Sight & Sound and The F-Word. As well as teaching university courses on topics ranging from transgender cinema to Anne Carson, she has facilitated workshops for youth organisations like Leave Out Violence and taught creative writing at Anglia Ruskin University, King’s College, London, and Middlesex University.
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Paperback. Condizione: new. Paperback. Feminist filmmakers are hitting the headlines. The last decade has witnessed: the first Best Director Academy Award won by a woman; female filmmakers reviving, or starting, careers via analogue and digital television; women filmmakers emerging from Saudi Arabia, Palestine, Pakistan, South Korea, Paraguay, Peru, Burkina Faso, Kenya and The Cree Nation; a bold emergent trans cinema; feminist porn screened at public festivals; Sweden's A-Markt for films that pass the Bechdel Test; and Pussy Riot's online videos sending shockwaves around the world. A new generation of feminist filmmakers, curators and critics is not only influencing contemporary debates on gender and sexuality, but starting to change cinema itself, calling for a film world that is intersectional, sustainable, family-friendly and far-reaching. Political Animals argues that, forty years since Laura Mulvey's seminal essay 'Visual Pleasure and Narrative Cinema' identified the urgent need for a feminist counter-cinema, this promise seems to be on the point of fulfilment. Forty years of a transnational, trans-generational cinema has given rise to conversations between the work of now well-established filmmakers such as Abigail Child, Sally Potter and Agnes Varda, twenty-first century auteurs including Kelly Reichardt and Lucretia Martel, and emerging directors such as Sandrine Bonnaire, Shonali Bose, Zeina Daccache, and Hana Makhmalbaf. A new and diverse generation of British independent filmmakers such as Franny Armstrong, Andrea Arnold, Amma Asante, Clio Barnard, Tina Gharavi, Sally El Hoseini, Carol Morley, Samantha Morton, Penny Woolcock, and Campbell X join a worldwide dialogue between filmmakers and viewers hungry for a new and informed point of view. Lovely, vigorous and brave, the new feminist cinema is a political animal that refuses to be domesticated by the persistence of everyday sexism, striking out boldly to claim the public sphere as its own. First book about new wave of feminist film. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Codice articolo 9781784533724
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