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Destinazione, tempi e costiDa: Better World Books, Mishawaka, IN, U.S.A.
Condizione: Very Good. Used book that is in excellent condition. May show signs of wear or have minor defects. Codice articolo 12690260-6
Quantità: 1 disponibili
Da: ThriftBooks-Dallas, Dallas, TX, U.S.A.
Paperback. Condizione: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less 1.25. Codice articolo G1932543325I4N10
Quantità: 1 disponibili
Da: ThriftBooks-Dallas, Dallas, TX, U.S.A.
Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less 1.25. Codice articolo G1932543325I4N00
Quantità: 1 disponibili
Da: ThriftBooks-Dallas, Dallas, TX, U.S.A.
Paperback. Condizione: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less 1.25. Codice articolo G1932543325I2N00
Quantità: 1 disponibili
Da: Arundel Books, Seattle, WA, U.S.A.
Trade Paperback. Condizione: As New. First Edition. 4to. - measuring over 8 1/2 in. x 11 in. A shrink-wrapped copy in As New condition. Codice articolo 626211
Quantità: 1 disponibili
Da: Tudor Cottage Books, Atlanta, GA, U.S.A.
Soft cover. Condizione: As New. 1st Edition. Codice articolo 000545
Quantità: 1 disponibili
Da: Hennessey + Ingalls, Los Angeles, CA, U.S.A.
Trade Paperback. Condizione: Used - Very Good. Very nice clean, tight copy free of any marks. Codice articolo 295714
Quantità: 1 disponibili
Da: Newbury Books, Atlanta, GA, U.S.A.
Soft cover. Condizione: As New. 1st. The catalogue of an exhibition at the High Museum of Art, Atlanta, Georgia, October 6, 2009 - February 21, 2010 and the J. Paul Getty Museum, Los Angeles, California, March 23 - June 20, 2010. With 201 color illustrations. 216pp 2.35lb 11.0x8.5x0.7in. Codice articolo 31520
Quantità: 1 disponibili
Da: The Avocado Pit, Staunton, VA, U.S.A.
Softcover. Condizione: New. New in shrinkwrap. ; 4to 11" - 13" tall; 216 pages; Extra postage required for priority and international shipping. Codice articolo 69473
Quantità: 1 disponibili
Da: Mullen Books, ABAA, Marietta, PA, U.S.A.
Softcover. Condizione: VG. Color pictorial wraps; 216 pp.; 49 color plates; 118 color and bw figures. Accompanied the exhibition of the same name, which appeared at the High Museum of Art in Atlanta, Georgia, and the J. Paul Getty Museum in Los Angeles, California. Contents as follows: irectors' foreword and acknowledgments /; Michael E. Shapiro and Michael Brand --; Introduction. Leonardo : the mind of the sculptor /; Gary M. Radke --; Leonardo, student of sculpture /; Gary M. Radke --; What is good about sculpture? : Leonardo's Paragone revisited /; Martin Kemp --; Leonardo, The Vitruvian man, and the De statua treatise /; Pietro C. Marani --; Leonardo and the equestrian monument for Francesco Sforza : the story of an unrealized monumental sculpture /; Andrea Bernardoni --; An abiding obsession : Leonardo's equestrian projects, 1507-1519 /; Gary M. Radke and Darin J. Stine --; Giovan Francesco Rustici, with and without Leonardo /; Philippe Sénéchal --; Florence and the bronze age : Leonardo and casting, the war of Pisa, and the Dieci di Balìa /; Tommaso Mozzati. "Leonardo da Vinci (1452-1519) is renowned as a painter, designer, draftsman, architect, engineer, scientist, and theorist. His work as a sculptor is not commonly acknowledged, and many have argued that Leonardo believed that sculpture was an inferior art form ("of lesser genius than painting"). Challenging and overturning these assumptions, Leonardo da Vinci and the Art of Sculpture looks at the sculptural projects that the artist undertook, as well as the late Renaissance sculptures that were indebted to him. Leonardo consistently drew inspiration from ancient sculpture, admired the work of such contemporary sculptural innovators as Donatello, and even trained under Andrea del Verrocchio, the preeminent bronze sculptor of late 15th-century Florence. Furthermore, Leonardo spent many years of his life working on two larger-than-life-sized horse sculptures - Sforza and Trivulzio - monuments to Francesco Sforza, the Duke of Milan, and to Gian Giacomo Trivulzio, his successor. Although neither was completed, the authors argue that these equestrian monuments show how Leonardo was intensely engaged with the design dilemmas of representing a horse rearing on its hind legs. Another highlight of the book is a group of new images of the John the Baptist Preaching to a Levite and a Pharisee, a recently restored large-scale work in the Florentine Baptistery that clearly demonstrates Leonardo's collaboration with Giovanni Francesco Rustici."--Jacket. Codice articolo 124128
Quantità: 1 disponibili