Un coup de dés jamais n?abolira le hasard.

MALLARME Stéphane.

Usato Brossura

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Paris : Gallimard, 1940. Un volume broché 25x32,5cm de (32) pages. Edition sur vélin d?Arches pur chiffon. Bel exemplaire en grand format. Livres. Codice articolo 43397

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Dati bibliografici

Titolo: Un coup de dés jamais n?abolira le hasard.
Legatura: Brossura

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Mallarmé, Stéphane
Editore: HACHETTE LIVRE, 2016
ISBN 10: 2013569564 ISBN 13: 9782013569569
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Da: moluna, Greven, Germania

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Condizione: New. KlappentextrnrnWORK IS IN FRENCH This book is a reproduction of a work published before 1920 and is part of a collection of books reprinted and edited by Hachette Livre, in the framework of a partnership with the National Library of France, prov. Codice articolo 597528378

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Mallarmé, Stéphane
Editore: HACHETTE LIVRE, 2018
ISBN 10: 2019998106 ISBN 13: 9782019998103
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Da: moluna, Greven, Germania

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Condizione: New. Codice articolo 597621603

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MALLARME, Stéphane
Editore: Gallimard, 1969,, 1969
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Da: Harteveld Rare Books Ltd., Fribourg, Svizzera

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gr. in-8vo, env. 30 p. n.n., brochure originale. Please notify before visiting to see a book. Prices are excl. VAT/TVA (only Switzerland) & postage. Codice articolo 109688

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Stephane Mallarme; Ellsworth Kelly
Editore: The Limited Editions Club, 1992
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Da: Marninart, Inc (ABAA - ILAB), Reston, VA, U.S.A.

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Hardcover. Condizione: Very Good. Published in 1992 by The Limited Editions Club in New York. Poem in French by Stephane Mallarme illustrated with 11 original lithographs by Ellsworth Kelly. Limited to 300 numbered copies, signed in pencil by Ellsworth Kelly Printed in Velin de Rives BFK paper. Bound in Full black morocco with gilt lettering on the spine, housed in a matching clamshell box. Un Coup de Dés Jamais N Abolira le Hasard (A Throw of the Dice Will Never Abolish Chance) is an artist s book that merges Stéphane Mallarmé s 1897 Symbolist poem with the visual abstraction of Ellsworth Kelly. This edition is a significant example of the convergence between poetry and visual art in the late 20th century. Mallarmé's original poem, Un Coup de Dés Jamais N Abolira le Hasard, was first published in 1897 and is celebrated for its radical typography and layout, which anticipated modern graphic design and concrete poetry. The poem's innovative use of space and type reflects Mallarmé's belief in the visual and spatial dimensions of language. Ellsworth Kelly interpretation of Mallarmé's work through visual art, offer a contemporary perspective on the fusion of poetry and visual abstraction. Ellsworth Kelly s lithographs are integral to this edition, each one serving as a visual counterpart to the poem's typographic innovation. Kelly s abstract forms monochromatic panels with curved and angular shapes reflect Mallarmé s fragmented and spatially dynamic text. Signed by Illustrator(s). Codice articolo N - 2025 - 39

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MALLARME, Stéphane.
Antico o usato Brossura Prima edizione

Da: Sims Reed Ltd ABA ILAB, London, Regno Unito

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Folio. (330 x 257 mm). [16 unnumbered leaves]. Blank leaf, printed title, leaf with Mallarmé's 'Préface' and note by the editor verso, blank leaf, leaf with title 'UN COUP DE DES' and Mallarmé's verse recto and verso in his preferred typographic layout on 10 leaves, final leaf with justification and achevé d'imprimer; leaves uncut retaining deckle edges throughout. Original publisher's japon wrappers with printed titles in red and black to front cover and publisher's vignette in black to rear. A large paper copy, completely unsophisticated, of the first edition of Stéphane Mallarmé's revolutionary innovative typographic caprice. From the edition limited to 100 numbered large paper copies, with this one of 90 on vélin d'Arches; 10 hors commerce copies - also large paper - on papier pur chanvre des papeteries de Monval were also issued as well as an unnumbered edition of 900 copies in smaller format on vergé. In 1914, Stéphane Mallarmé?s ambitious typographical construction, the extraordinary poem, 'Un Coup de Dés Jamais N?Abolira le Hasard: Poème', was finally published - in the form that Mallarmé had himself envisaged - by Gallimard's 'Editions de la Nouvelle Revue Française'. A version had appeared during Mallarmé's lifetime, in 1897, in 'La Revue Cosmopolis' but the title aside, Mallarmé's vision for the poem - refused by printers at the time as unfeasible and absurd - was ignored; Ambroise Vollard's proposed edition illustrated by Odilon Redon never appeared. The original edition of 1914, seen through the press by Mallarmé's son-in-law, Edmond Bonniot, was printed as a limited edition in Belgium in 1,000 copies, 100 large paper examples and 900 ordinary copies (the ordinary copies unmentioned on the justification). The poem itself is a typographical caprice and a visual object of linguistic power that preceded Apollinaire's calligrammes by more than a decade. In Mallarmé's own words, taken from his introductory 'Préface': 'les «blancs» en effet, assument l?importance, frappent d?abord ; la versification . occupe, au milieu, le tiers environ du feuillet ? '. 'It seemed to me that I was looking at the form and pattern of a thought, placed for the first time in finite space. Here space itself truly spoke, dreamed, and gave birth to temporal forms.' (Paul Valéry on Mallarmé's 'Un Coup de Dés Jamais N'Abolira le Hasard: Poème'). 'C'est un fou qui a écrit ça !' (The director of the printing house Didot in response to Vollard's idea of printing the text in Mallarmé's desired form). In the present copy, the glue adhering the text block to the japon wraper has decayed and the text block is therefore loose; a previous owner has inserted a small slip of thin paper with a typewritten note with the admonition: 'Ne jamais gommer la couverture, parce que le papier Japon dont elle est formée s'effilocherait.' (Do not ever glue the cover because the Japan paper from which it is made will fray). The note also gives an appreciation of the edition of this copy: 'Edition originale: rare, précieuse et chère.'. Codice articolo 47963

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