Condizione: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.
Editore: Oxford University Press; World of Art Ser., New York and Toronto, 1972
ISBN 10: 0195199332 ISBN 13: 9780195199338
Da: LEFT COAST BOOKS, Santa Barbara, CA, U.S.A.
Paperback. Condizione: Very Good. 215 pages, illustrations (some colour); 21 cm. Reprint 1979. Tight, clean copy. Age toning. Profusely illustrated. *** "'I know for my own part that I have no programme, only the inexplicable longing to grasp what I see and feel, and to find for it the purest expression.' The words of German Expressionist Karl Schmidt-Rottluff, co-founder of the 'Br cke' movement in Dresden, convey the essence of the revolutionary movement in the arts which overthrew the stifling academicism of Kaiser Wilhelm's Germany and led in the years between 1900 and 1914 to an amazing upsurge of creative activity. The story of this decisive and immensely rich contribution to the history of twentieth-century art is told here largely in the vivid and intensely revealing words of the artists themselves." - Publisher. CONTENTS: Origins; Dresden; Munich; Berlin, Vienna, the Rhineland; After the war. Size: 8vo.
Soft Cover. Condizione: Good. 215 pp. Full color and black & white illustrations. Wraps have light edgewear. Pages are clean, text is unmarked. Size: 8vo - over 7¾" - 9¾" tall.
Editore: Oxford Univ Press, New York, NY, 1977
ISBN 10: 0195199332 ISBN 13: 9780195199338
Da: 100POCKETS, Berkeley, CA, U.S.A.
Paperback. Condizione: New. Reprint. BRAND NEW COPY w/faint creasing to upper front corner of softcover. Art history. First published 1972; this is a reprint of 1977. Survey of Expressionism, originating in Germany at the beginning of the 20th century, in which poets and painters sought artistic expression of emotional experience rather than physical reality. Towards this end, in paintings, distortion is a noticeable trait --- "The Scream" by Edward Munch is an example. 215 pgs. 162 plates with 33 in color. Text in 5 chapters: 1, Origins; 2, Dresden; 3, Munich; 4, Berlin, Vienna, the Rhineland; and 5, After the War.
Editore: New York : Thames & Hudson, 1985
ISBN 10: 0500201234 ISBN 13: 9780500201237
Da: BBB-Internetbuchantiquariat, Bremen, Germania
Softcover/Paperback, Condizione: Sehr gut. 215 p. : ill. (some col.), front., ports. (some col.) ; 21 cm Zustand: Sehr gut- neuwertig, B-R13083 0500201234 Wenn das Buch einen Schutzumschlag hat, ist das ausdrücklich erwähnt. Rechnung mit ausgewiesener Mwst. Sprache: Deutsch Gewicht in Gramm: 445.
Editore: New York and Toronto.: Oxford University Press., 1972
Da: Wittenborn Art Books, San Francisco, CA, U.S.A.
Arte / Stampa / Poster
Condizione: Good. 8vo. 215 pp. Soft Cover. Black and white plates throughout. Very Good, some wear to covers, some foxing to a few pages and page edges, otherwise, clean and intact.From the Collection of the Art Historian Peter Selz.