gerrit thomas rietveld (31 risultati)

Original brochure, 21*27 cm. Condizione: Gut. Second ed. 32 p., numerous ill., including 103 ill. of chairs and tables. Cover slightly rubbed, otherwise a good and very clean copy. Text bilingual Dutch and English. - Gerrit Thomas Rietveld is born in Utrecht in 1888. After elementary school he starts working in his father's cabinetmaking shop at the age of eleven. The furniture he makes here are mainly imitations of old styles, ornamented with woodcarving. This kind of furniture is found in most interiors of the time. In 1911 he starts his own cabinet-making business in Utrecht. He takes up an evening course in architectural drawing at the architect P. J. Klaarhamer's, and carries out Klaarhamer's furniture designs, which - in contrast with the style-imitations - have simple designs and few ornamentations. Klaarhamer's work is inspired by the thoughts and ideas of Berlage, who, at the beginning of the century, was an innovator in the field of architecture and industrial design in Holland. At Klaarhamer's Rietveld meets the former's best friend, the painter and stained-glass artist Bart van der Leek, who is in the process of simplifying his figures and colours, and who in this period also collaborates with Berlage as colour-adviser. Partly through the influence of these surroundings, where simple forms are strived after, Rietveld starts making simple furniture out of cheap, standardized materials. Later, he says about the red-blue chair (nrs. 1, 2 and 3) - which at first is still plain and has side planes: '[.], that chair was made to the end of showing that a thing of beauty, e.g. a spatial object, could be made of nothing but straight machined materials. So I had the plank sawn into strips and laths, and the centre part I sawed in two halves, so that I had a seat and a back then, and with those laths of various lenghts I constructed the chair.' (from an interview with Piet Mook, 1963). He uses loose pegs for the construction, allowing the laths to overlap, so that the material used remains recognizable. The architect R. van't Hoff, another friend of Klaarhamer's, on seeing this furniture urges Rietveld to meet the Stijl-group, of which he is a member himself. / Gerrit Thomas Rietveld wordt in 1888 te Utrecht geboren. Na de lagere school te hebben doorlopen gaat hij op 11 jarige leeftijd in de meubelmakerij van zijn vader werken. De meubelen, die hij hier vervaardigt, zijn voornamelijk imitaties van oude stijlen, waarbij een meubelstuk door middel van houtsnijwerk van allerlei versieringen wordt voorzien. Dit soort meubelen vormt de inrichting van de meeste Interieurs in die tijd. In 1911 vestigt hij zieh met een eigen meubelmakerij te Utrecht. Bij de architect P. J. Klaarhamer volgt hij een avondcursus bouwkundig tekenen en voert ook diens meubelontwerpen uit, die - in tegenstelling tot de stijlimitaties -een veel eenvoudiger vormgeving hebben en minder versieringen. Klaarhamers werk komt voort uit de ideeen- en gedachtenwereld van Berlage, die in het begin van de eeuw in Nederland een vernieuwer was op het gebied van architectuur en gebruiksvoorwerpen. Bij Klaarhamer ontmoet Rietveld diens beste vriend, de Schilder en glas-in-lood kunstenaar Bart van der Leck, die bezig is zijn figuren en kleuren sterk te vereenvoudigen en ook in deze periode met Berlage samenwerkt als kleuradviseur. Mede door de invloed van deze omgeving, waar naar simpele vormen wordt gezöcht, komt Rietveld tot het maken van eenvoudige meubelstukken uit goedkope, gestandaardiseerde materialen. Over de roodblauwe stoel (nr. 1, 2 en 3) - die in het begin nog blank is en zijschotten heeft - zegt hij later'[.], die is gemaakt om te laten zien, dat je met zuiver strak machinale dingen ook nog wel eens iets moois kon maken, laten we zeggen ruimtelijk plastiek. Ik liet dus een plank opzagen in stroken en latten, en die middenstrook die zaagde ik in de dikte middendoor zodat ik dan een zitting en een rug had, en van die latten van verschillende lengte maakte ik dan die stoel in elkaar.' (interview door Piet Mook, 1963). Voor de constructie gebruikt hij losse pennen, waardoor het mogelijk wordt de latten langs elkaar heen te laten 'schieten', zodat het gebruikte materiaal optimaal herkenbaar blijft. Als de architect R. van 't Hoff, een andere vriend van Klaarhamer, deze meubelen ziet, dringt hij er bij Rietveld op aan de Stijl-groep te ontmoeten, waarvan hij zelf deel uit maakt. Sprache: Englisch Gewicht in Gramm: 550.

Staplebound Wraps. Condizione: About Fine. First Edition, First Printing. 16 pages : illustrations ; 23 cm. Softcover. Staplebound photo-illustrated wraps. Book Condition: About fine. Faint evidence of handling, else fine. Cover title: Rietveld.

Condizione: Good. *Price HAS BEEN REDUCED by 10% until Monday, April 28 (SALE ITEM)* 35 pp., Paperback, library markings, else internally clean. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

Trade Paperback. Condizione: New. The foremost designer of the De Stijl group, and the author of its most iconic product, the 1917 Red and Blue chair, Gerrit Rietveld (1888-1964) stands today as one of the last century's most adventurous designers and architects. The iconicity of the Red and Blue chair, and of the Rietveld Schr xF6;der House in Utrecht (which was added to the UNESCO World Heritage List in 2000), have perhaps overshadowed the incredible scope and longevity of Rietveld's career, for this consummate modernist polymath designed on every scale, from a bus stop to a small village, and he continued his experiments right up to his death in 1964. Today his works are to be found in the collection of every serious design museum. 'Rietveld's Universe' is a comprehensive publication on the range of this great designer's work, reproducing works and presenting new research and perspectives, including contributions by leading international scholars. Focusing on Rietveld's spatial philosophy and the mutual influences between his work and that of his close contemporaries such as Mondrian, Van Doesburg, Frank Lloyd Wright, Mies van der Rohe, Le Corbusier and Alvar Aalto, it expresses the unity of Rietveld's modernist pedagogy and affirms the audacity of his vision.

softcover. Condizione: Sehr gut. 111 Seiten p. Text in English, Dutch, Italian. In very good condition. ISBN: 9789064502385 Sprache: Englisch Gewicht in Gramm: 349.

Trade Paperback. Condizione: Used - Very Good. BEAUTIFUL COPY!!! Very nice clean, tight copy free of any marks.

1. Auflage,. zahlreiche Abb., 71 Seiten, Zustand: sehr gutes Exemplar, minimaler Berieb des schwarzen Umschlags. Sprache: Deutsch Gewicht in Gramm: 550 21,0 x 21,0 cm, gebundene Ausgabe, Hardcover/Pappeinband.

178 pp.; 22.8 x 24.8 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Monograph on the furniture of Gerrit Thomas Rietveld by Daniele Baroni. Includes exhibitions referred to in the Notes to the Plates and a bibliography. Very Good. Dusting of covers and light edge-wear. 2 cm. of discoloration to inside flap of dust-jacket. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

Paperback. Condizione: Near fine in wraps. First Edition. 14 x 22cm 158pp near fine paperback with contents dividied into 'Life', 'Thought' and 'Work' with black and white reproductions.

22 x 24 cm 178 pp with numerous colour and b&w illustrations throughout. Hbk. very good in dustwrapper.

176 S. Leinen mit Schutzumschlag. Gr. 8°. Sauberes Exemplar ohne Anstreichungen. Stempel auf Vorsatz. Zahlreiche Abbildungen und Tafeln. Kanten des Schutzumschlags minimal berieben. Sonst gut erhalten. Sprache: ita.

Cloth. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. A nice, bright copy. ; B & W and Color Illustrations; 4to ; 393 pages.

Paperback. Condizione: Very Good. Very Good. book.

Hardcover. Condizione: Used: Very Good. Condizione sovraccoperta: Used-Very Good. First Edition. Text is English. 1st printing. A NEAR FINE book and a VERY GOOD dustjacket. Book is clean and binding tight; dustjacket has some tanning along it's edges, and a small paper repair to the top corner tip. 180 pages. All dustjackets are placed in protective mylar, and all items ship in a box.

gut erhalten mit geringen Gebrauchsspuren, Buchblock und Einband sind jeweils ordentlich erhalten; ein Lichtrand am inneren Teil des Schutzumschlags, an der Klappe, sowohl vorne als auch rückwärtig; ansonsten ganz einwandfrei erhalten, mit zahlreichen Abbildungen und graphischen Darstellungen Sprache: Deutsch 1050 gr. 1050.

1. Aufl.,. 8 Doppelblatt, 16 Abb. Texte in Holländisch (Handschriften-Faks. des Architekten), Englisch, Französisch, Deutsch Gut erhaltenes Exemplar, Das Haus and der Prins Hendriklaan 50 in Utrecht wurde im Jahre 1924 von G. T. Rietveld für Frau Truus Schröder-Schräder entworfen. Der im Jahre 1888 geborene aktive Architekt betrachtet das Schröder Huis als ein Experiment, das nie ein derartig ausgesprchenes Dokument für die Periode, in der es gebaut wurde, geworden wäre ohne die tatkräftige Unterstützung der Bauherrin und Mitarbeiterin Frau Schröder. Auf das Schröder Huis nehmen mehrere Architekturhistoriker Bezug. 1956 schrieb der Holländer Jaffé: "alle Zielsetzungen des Stijl sind in ihm verwirklicht und zwar derart, dass es nicht nur ein Monument für den Stijl wurde, sondern sogar ein Monument der Architektur jener Zeit"; 1960 nennt der Engländer Reyner Banham es "die einzige elementaristische Struktur, die in permanenter Form gebaut wurde". - Die Quadratblätter sind eine Serie von Experimenten in gedruckter Form, die auf dem gebiet der graphischen Gestaltung, der bildenden Kunst, Literatur, Architektur und Musik erscheinen. Die Quadratblätter sind nicht käuflich zu erwerben. Die steendrukkerij de Jong & Co., Hilversum, übermittelt sie Freunden und Interessierten geschenkweise. - Einzige Publikation über das Schröder-Huis., (= Die Quadrat-Blätter 2) Sprache: Deutsch Gewicht in Gramm: 1000 Illustr. Orig.-Broschur, 25 x 25 cm.

Hardcover. Condizione: Sehr gut. Zustand: SEHR GUTER Zustand! 393 Seiten Deutsch 416g.

4°, 36 S., tlw. farb. Abb. (tlw. a. Falttaf.), Brosch., Einband min. gebrauchsspurig, innen tadellos. 9. Auflage. (= I Maestri). Text dt./engl./ital./frz. Zu Möbeln des Meisters. 1100 gr. Schlagworte: Architektur - Innenarchitektur, Design.

No Binding. Condizione: Very Good. 1st Edition. Box, 14 sheets : illustrations (some color) ; 21 x 30 cm or smaller + text (16 pages : illustrations ; 21 cm) in box, 23 x 31 cm. Box has light wear; inside clean and crisp.

Soft cover. Condizione: Very Good. 1st Edition. 4° - The Quadrat Prints - All colour photographs and plans. Loose leaf presentation of dutch architecture by G.T. Rietveld (1888-1964) Dutch architect and designer. Text in Dutch, English, German and French. original boards. Book is fine condition.

Soft cover. Condizione: Very Good. 1st Edition. Fine softcover booklet and components in Very Good box. All components in English and Dutch languages. Boxed set includes 16 pp booklet and 14 numbered sheets of model components. Lightly scuffed box is sound and complete. Booklet and numbered sheets are Fine condition. 4to (31 x 22 cm). See, OCLC #35921764.

During the mid-1950s a plan ripened in the mind of Hermen Molendijk, then burgomaster of Amersfoort, a plan for an exposition hall. For the town of Amersfoort was experiencing a growing need for just such a building. The Dutch government had had the architect Rietveld design a pavilion for the Biennale in Venice (1954); he had also designed space for an exhibition in Sonsbeek park in Arnhem (1954). These commissions probably caused Mr Molendijk, who was undoubtedly an admirer of Gerrit Rietveld`s creations, to hit upon the idea of resolving the acute need for exhibition space in Amersfoort - in view of these brilliant results - by having Rietveld design a building for it. He contacted Rietveld in 1956, and the two of them hatched plans. But the rebel forces, those which showed no appreciation of Rietveld`s work, were up in arms at the same time. The initially ambitious design was scaled down, partly for pecuniary reasons. Rietveld nonetheless managed to achieve a superb result. 21,5x21,5 cm. 1 portfolio (14 sheets) + 1 booklet. 14 einseitig bedruckte Kartons, in mehreren Farben gedruckt, Textheft 7 Bl., 3 Abb. Parallel text in Dutch and English. In bezogener Pappschachtel, farbig bedruckt. Kanten berieben, Inhalt wie neu. ISBN 9070883112.

Condizione: In ottime condizioni. Utrecht, (Drukkerij Lumax), 1930, Jan., Edizione originale. In ottime condizioni. Notevolissima grafica di copertina per questo fascicolo del mensile cattolico 'De Gemeenschap' (La comunità). Non firmata, ma attribuita al designer neoplasticista Gerrit Rietveld. All'interno, interessante tavola parolibera o calligramma di Jan Engelman (tra i fondatori del mensile), che si svolge sulle pp. 30-33. in 8°, brossura illustrata a due colori al piatto anteriore, con grafica costruttivista cubitale in sovrimpressione (piatto posteriore pubblicitario in nero), pp. 40 ill. b.n. Edizione originale. brossura illustrata a due colori al piatto anteriore, con grafica costruttivista cubitale in sovrimpressione (piatto posteriore pubblicitario in nero),

A.D.A Edita Tokyo, 1992. 36,5 x 26 cm. Paperback / Softcover. Richly illustrated in color and b/w. Text in Japanese and English. FINE COPY [Architecture / international ].

No Binding. Condizione: Good. No Jacket. 1st Edition. Very rare museum published folded broadside, 20"x 30" printed both sides. Paper aged and is slightly soiled on outer face. One short section of fold has separeted. There is a crease line on lower third of face panel. Otherwise in very good condition. Dynamic graphic layout and design.