hendrick goltzius (113 risultati)

No Binding. Condizione: Fine. Postcard in fine condition. Unmailed. Cards are sent in stiff mailers. Postcard.

0. 18 cm. 207 S., überwiegend Ill. brosch. Leicht bestossen und gebräunt. Bibliophile Taschenbücher 386. Sprache: Deutschutsch 0,450 gr.

1 Blatt, verso weiß. Condizione: Gut. Darstellung ca. 8,5 x 7 cm, Blatt ca. 30 x 22,5 cm. Brustbild-Portrait, darunter Legende. - Papierbedingt gering gebräunt, ganz leicht aufgewellt, sonst gutes Exemplar. Sprache: Deutsch Gewicht in Gramm: 250.

Condizione: Gut. Formateinband: Pappband mit Umschlag / gebundene Ausgabe 175 S. (28x22 cm) 1. Aufl.; (Durchgehend bebildert); Gut erhalten! Sprache: Deutsch Gewicht in Gramm: 1200 [Stichwörter: Ausstellung, Ausstellungskatalog, Bildband, Katalog; Die Vita des Hendrick Goltzius im "Schilder-Boeck" Karel Karel van Manders; Hendrick Goltzius und die Antike; Über Schrift und Bild in den Kupferstichen von Hendrick Goltzius u.a.].

167 Seiten. Mit zahlreichen Abbildungen. Illustrierte Originalbroschur. 20x21 cm Sprache: Deutsch Gewicht in Gramm: 700.

Softcover. Condizione: Sehr gut. Alle Bücher & Medienartikel von Book Broker sind stets in gutem & sehr gutem gebrauchsfähigen Zustand. Die Ausgabe des gelieferten Exemplars kann um bis zu 10 Jahre vom angegebenen Veröffentlichungsjahr abweichen und es kann sich um eine abweichende Auflage handeln. Unser Produktfoto entspricht dem hier angebotenen Artikel, dieser weist folgende Merkmale auf: Helle/saubere Seiten in fester Bindung. Sprache: Deutsch Gewicht in Gramm: 400.

Bassano del Grappa, Minchio, [1990]. 76 pp. B./w. ills. Softcover. 8vo.Catalogue of the exhibition at the Museo civico di Bassano del Grappa, January 19. - April 19, 1990. - Text in Italian.

Kleve, 1982. 167 pp. Ills. Softcover.

Utrecht, Haentjens, Dekker & Gumbert, 1961. 219 pp. B./w. frontispiece (portrait). Orig. softcover (printed wrappers). 8vo. [Diss.] - Light shelfwear.Academic dissertation for the purpose of obtaining the degree of degree of Doctor of Letters at the Rijksuniversiteit Utrecht, March 17, 1961. - Text in German.

Zwolle, Waander & Amsterdam, Rijksmuseum, [2003]. 352 pp. Col. & b./w. ills. Orig. hardcover (gray cloth with silver colored lettering),d./j. 4to.Published on the occasion of the exhibition of the same name in the Rijksmuseum in Amsterdam, March 7-May 25, 2003, and the exhibition 'Hendrick Goltzius, Dutch master (1558-1617). Drawings, prints, and paintings' in The Metropolitan Museum of Art in New York, June 23-September 7, 2003, and in The Toledo Museum of Art in Toledo (Ohio), October 18 2003 - January 4, 2004. - Text in Dutch.

Haag, 1916. XI,104 pp. 15 ills. Softcover. - Spine damaged; sl. worn & soiled. (Quellenstudien zur Holländischen Kunstgeschichte - Heft 9).Van Hall - No.10001.

München, 2016. 118 pp. Col. & b./w. ills. Softcover.Published to accompany the exhibition "Bestechend gestochen. Das Unternehmen Hendrick Goltzius", 11 Aug. - 13 Nov. 2016 at the Kunstmuseum Basel, Kupferstichkabinett.

100p, mostly colour plates from Breen's "MILITARY EVOLUTIONS" and Goltzius1 IMPERIAL ARMY.

Haag, 1916. XI,104 pp. 15 b./w. ills. Rebound in cloth. ( (Quellenstudien zur Holländischen Kunstgeschichte - Heft 9).

Hamburg, Kunsthalle. 175 pp. Monochrome ills. Hardcover, d./j.

kart. Condizione: Neu. 199 Seiten ; 28 cm, 1100 g NEUBUCH ! 9783731910794 Werktäglicher Versand. Jede Lieferung m. ordentl. Rechnung und ausgew. MwSt. Der Versand erfolgt als Büchersendung / Einschreiben mit der Deutschen Post bzw. als Päckchen / Paket mit DHL. Die Lieferzeit ist abhängig von der Versandart und beträgt innerhalb Deutschlands 3-5 Tage, in der EU 5 - 12 Tage. KEIN Versand an Packstationen. Körperschaften und juristische Personen werden auf Wunsch per offener Rechnung beliefert. Sprache: Deutsch Gewicht in Gramm: 1100.

Museum für Volkskunde. Kevelaer. 1973. 18 x 20 cm. 47 (2) Seiten, mit vielen Abbildungen. Original Binding. Illustr. Kartonband. Gut bis sehr gut erhalten. Sprache: Deutsch. *** Bitte kontaktieren Sie uns immer BEVOR Sie bestellen! Für ausführliche Beschreibungen und Bilder sowie günstigere Versandoptionen kontaktieren Sie mich bitte per Email! Please contact us always BEFORE you order! For detailled descriptions and photos as well as cheaper shipping options please send an email! ***.

Soft cover. Condizione: Good. 1st Edition. Three etchings mounted on one sheet. All with damage to corners from earlier mounting. 40x60mm.

Couverture rigide. Condizione: Très bon. Normal 0 21 false false false FR X-NONE X-NONE /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Tableau Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin:0cm; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.0pt; font-family:"Times New Roman","serif";} Splendid proofs of the authentic first issue, with all the particularities mentioned by Bartsch. (A. Bartsch, Le peintre graveur, III, 27-38). F.W.H. Hoolstein, n°21 à 32. Precious copy of the greatest chisel engraver in the history of engraving who composed these 12 pieces in the style of Lucas de Leyde, "which perfectly did him good". A. Bartsch. "In Holland, this century ends in grand style with Hendrick Goltzius (1558-1617), virtuoso of the chisel as the history of engraving never knew." "In his early days, Goltzius works for J. Cock, Ph. Galle, whose portrait he engraves in 1582, then for N. and C.I. Visscher, H. Hondius, J. Dankaerts, H. Adolfz and many others. At that time, he engraves beautiful original portraits in the tradition of Antwerp: Mercator in 1576, Ch. Plantin and the famous Henry IV. The Italianism also overcomes him. It is then the Portrait of H. Bol, the one of Scaliger, and he definitely adopts this style in The Holy Family which would be, by the way, an interpretation engraving after Baroccio. Eager to show his virtuosity, he engraves in 1593-1594 the Life of Virgin Mary where he neither copies nor translates, but intelligently does a pastiche of Raphael, Baroccio, Parmesan, Bassano, Durer and Lucas de Leyde by executing compositions that these masters could have conceived. This virtuoso, this king of chisel, who goes from tour de force to tour de force left perfect examples with the Portrait of Frederik Vries in 1597 and the famous Sign-holders. Thus ends the 16th century in Holland with the triumph of fine technique, of mannered work of which the leader H. Goltzius will still have some influence in the 17th century. On the contrary, the Catholic and prosperous Flanders, penetrated by the Spanish pomp, rejects Bruegel's funniness and, with Rubens, will adopt a totally different style." E. Rouir, La gravure des origines au XVIe siècle. This suite, as remarkable by its composition than by its drawing, has been almost instantly copied and imitated several times. A Dutch masterpiece from the end of the 16th century beautifully preserved.

Condizione: Sehr gut. 4°. 27 x 19 cm. 4 Blatt, 521 Seiten, 21 Blatt, 461 Tafeln. Original-Leinenbände mit Original-Schutzumschlägen und transparenten Schutzumschlägen. Kopffarbschnitte. (= Orbis artium, 6). Originalausgabe aus dem Holländischen übersetzt von Maria Simon und Ingrid Jost. Mit zahlreichen Abbildungen in Schwarz-Weiß. Umschläge am Rücken leicht gebräunt, Band 2 am oberen Kapital etwas bestoßen. Sehr gute Exemplare.

Hendrick Goltzius (illustratore). Study of four heads showing different expressions and angles.Made by Johann Georg Hertel after Hendrick Goltzius.Medium: Engraving on hand laid (verge) paper.Sheet size: 21.8 x 28.4 cm (8.58 x 11.18 inch). Image size: 19 x 23.2 cm. (7.48 x 9.13 inch).STUDY-OF-FOUR-HEADS | PCO-A15-32BACKGROUND INFORMATIONSource: unknown, to be determined.Biography engraver: Johann Georg Hertel (1719-1785) was a German engraver known for his detailed landscapes and historical scenes.Biography artist: Hendrick Goltzius (1558-1617) was a Dutch printmaker, draftsman, and painter known for his Mannerist style. Condition: good, given age. Light handling marks, some staining, and general age-related toning. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

0. Sprache: Deutschu.

Zwolle, Waanders Uitgevers, 1993. 543 pp. 390 ills (25 col.). Orig. hardcover (black cloth with silver lettering), d./j. 8vo. (Nederlands kunsthistorisch jaarboek 1991-92, Deel 42-43).Articles in Dutch, English & German by Hessel Miedema, Lawrence W. Nichols, Ilja Veldman, [et al]. Bibliography by Jan Kosten.

*: Braunschweig, Klinkhardt & Biermann, 1976, 2 Auflage, 23,5 x 15,5 cm, publisher's cloth with d.w., 174 pp, indexed. (Freitag 3729, reprint of the 1921 edition, oeuvre catalogue, lists 383 items).

Doornspijk, Davaco Publishers, 2013. 466 pp. 207 plts & ills (145 in colour). Orig. hardcover, d./j. (Aetas Aurea. Monographs on Dutch & Flemisch Painting, Vol. XXIII). - - New copy !!This long-awaited volume is a comprehensive study of the paintings of Hendrick Goltzius (1558-1617), the most important artist in the Netherlands at the turn of the seventeenth century. A poem published in Haarlem in 1617 lamented the death that year of the most artful master Hendrick Goltzius, in his life [a] skillful painter, draftsman, and artful engraver. The fact that "painter" heads the list of his accomplishments is significant, for although Goltzius enjoyed international fame as a draughtsman and engraver, to his contemporaries he was equally renowned for his skill in the art of painting, which was considered the highest artistic calling. This volume on his paintings, the first since Hirschmann's short study of 1916, finally completes a full assessment of this artist of Haarlem, whose drawings were the subject of Reznicek's publication of 1961 and whose prints were catalogued by Leesberg in the New Hollstein series that appeared in 2012.The extensive catalogue discusses 59 paintings by Goltzius, and also includes 160 pictures known only from descriptions and 38 rejected works. A lengthy appendix - the result of extensive archival research - includes, in the original language, all known sources that mention Goltzius and every known inventory listing of his paintings. -- The catalogue of accepted works is ordered iconographically, whereas the color plates of Goltzius's entire extant oeuvre are arranged in chronological order, visually demonstrating the development of his career as a painter. In addition to the color plates, 121 black-and-white figures provide material for comparison.

Engraving of Andromeda chained to the rock, in its first state, after a drawing by Hendrick Goltzius. The nude figure of Andromeda was a popular subject with Renaissance artists, including Goltzius who had made two prints with the subject before. This larger version places the onlookers surrounding the nude centre stage and delegates the monster and Perseus to the back. The figures in the group are drawn with particular elements beloved with Mannerists such as Goltzius: dramatic poses, heavy foreshortening and detailed muscles.Goltzius' original drawing for the print, now in the Royal Collection, contains sharp incisions that were made during the transfer of the design to the copper plate. The subsequent engraving was done by Jacob Matham, Goltzius' step-son. With the sheet trimmed directly to the borde3r of the image. Several foldings in the center, resulting in a tear of ca. 3 cm at the bottom. A few small tears along the edges, very small parts of the bottom left and right corners are missing, as well as a larger part (about 1.5 x 1.5 cm) of the upper left corner. Lightly soiled and with a few spots; a fair copy.l Filedt Kok, "Hendrick Goltzius - Engraver, Designer and Publisher 1582-1600" in: Nederlands Kunsthistorisch Jaarboek 42/43, p. 216 no. 147; New Hollstein, Jacob Matham II, p. 98 no. 189. Copper engraving.

Une gravure Originale à l'eau-forte et au burin en noir : Format : 20,4 centimètres de haut par 27 centimètres de large, sur papier crème vergé ligné , Inscriptions / marques - Lettre dans la cuvette au centre : "turdior est phriisiis, equus educatus in aruis curribus aptus, et attrito sub vomere rastus - dentalis pingnes doctus conuellere glebas densa cui destro iuba semper pendet ab armo", à gauche : Joannes Stradanus inuen. Phls. Gallus excud., titre : PHRISO, en haut au centre dans la gravure, petit manque de papier à l'angle droit en haut, à l'angle gauche en bas et en bas au centre, entre 1578 et 1582 Anvers Florence Editeur, Adam-François Van der Meulen, baptisé le 11 janvier 1632 à Bruxelles et mort le 15 octobre 1690 à Paris, est un peintre baroque flamand d'origine bruxelloise. Se spécialisant dans la peinture de bataille et de chasse, il vient renforcer en 1665, l'équipe chargée d'immortaliser l'image du roi et est pensionné dès 1667. Il accompagne Louis XIV dans tous ses voyages, dans toutes ses résidences, et dans toutes ses guerres. Il réalise également de nombreux cartons pour la manufacture de Gobelins . SUPERBE ET RARE EAU-FORTE . en bon état malgré les defauts signalés(good condition in spite of the defects indicated).

An officer holding a spike with his left hand, the right arm folded on the back. On the background scenes from a battle field. From the New Hollstein, about the series: 'Previously attributed by Bartsch to an anonymous member of the Goltzius workshop, in he manner of Jacques de Gheyn. Here attributed to Jan Muller; on the verso of the proof-impressions in Amsterdam marks in red chalck indicate that this print belonged to the group of proof-impressions of his own prints which Jan Muller kept together during his life'. Sigend on the bottom left: 'HGoltzius excud.' (HG monogrammed); two lines of text in Latin at the bottom: 'Laudata ducibus. consuluisse metu'. On the verso collector's mark Kupferstichkabinett, Staatliche Museen zu Berlin [L.1634 (1921)]; partial watermark l Engraving on paper, trimmed to plate mark; total: 214 x 155 mm; state II/2; in very good conditions; New Hollstein 748, Bartsch 96.

Hendrick Goltzius (illustratore). '"TELLURI HUMORONC COGNATUM . PISCIS, PECUDIQUE MARINA"'This etching shows a fisherman standing at the shoreline with a basket full of fish in hand, looking towards the sea. The background depicts the ocean with boats and small figures in the distance. The muscular figure of the fisherman stands out against the softly rendered sky and clouds, typical of Goltzius's mannerist style.Made by de Bry after Hendrick Goltzius.Medium: Etching on Hand-laid (verge) paper.Sheet size: 14.8 x 21.5 cm (5.83 x 8.46 inch). Image size: 12 x 18.2 cm. (4.72 x 7.17 inch).HENDRICK GOLTZIUS, FISHERMAN, FOUR ELEMENTS, DUTCH ETCHING, 16TH CENTURY, WATER, MARINE LIFE, ALLEGORY | PCO-EXPO-404 (DUTCH)BACKGROUND INFORMATIONFrom the series "The Four Elements," plate 2, representing "Water" through the depiction of a fisherman. Based on the work of Hendrick Goltzius, a Dutch master. The specific artist remains unknown, but the style is consistent with the late 16th century, emphasizing the human figure as an embodiment of natural elements. on an accompanying set Johann Theodor and Johann Israel de Bry are mentioned as the engravers.Biography artist: Hendrick Goltzius (1558-1617) was one of the most influential Dutch engravers and draftsmen of the late 16th century, celebrated for his technical virtuosity and his ability to imbue prints with dynamic energy. This print is from his famous series, "The Four Elements.". Condition: good, given age. With plate tone. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Condizione: discreto. Bulino. Apollo e la principessa della Tessaglia Coronide abbracciati, attorno paesaggio e sullo sfondo una nave e delle persone, in calce l'iscrizione. Mancano circa 10mm nel bordo destro con perdita di inciso. È presente una scritta col numero 16 in rosso, e delle macchie rosse all'interno dell'incisione nella parte alta del cielo che corrisponde nel retro della stampa alla firma di Sadeler. Formato: 175x210mm.