nicola scafidi (16 risultati)

Brossura. Condizione: new. Palermo, 2021; br., pp. 100, ill., cm 20x30. Il volume contiene le foto scattate dal celebre fotografo siciliano Nicola Scafidi nei set cinematografici siciliani. Lo sguardo curioso e attento di Nicola Scafidi, fotoreporter e collaboratore del quotidiano palermitano "L'Ora", restituisce momenti di vita delle maestranze e degli attori impegnati nella realizzazione di opere filmiche entrate nella storia del cinema: dal "Gattopardo" di Luchino Visconti alla trilogia sui misteri italiani di Francesco Rosi ("Salvatore Giuliano", "Il Caso Mattei", "Lucky Luciano"); da "Viva L'Italia" di Roberto Rossellini a "Il Viaggio" di Vittorio De Sica, da "Vulcano" di William Dieterle a "I racconti di Canterbury" di Pierpaolo Pasolini"; dal "Giorno della Civetta" di Damiano Damiani al "Mafioso" di Alberto Lattuada. Libro.

290x230 mm. 125 pages. Hardcover. Sticker on rear cover. Cover corners slightly bumped. Spine edges slightly worn. Pen inscription on first white-page. Else in good condition. The book is in : Italian.

Condizione: buono. Fotografia Fine arts Photography Imago in 8° quadrato, bross. edit. ill. con bandelle, lieve abrasione in quarta di cop. - prima edizione - testo in italiano, inglese e francese - riccamente illustrato in b.n. nel testo BUONE CONDIZIONI.

Okt. im Schuber. Mit 149 ganzseitigen fotografischen Abbildungen, -Gr.8° Sprache: Deutsch Gewicht in Gramm: 900.

Sehr schöner Band mit Schwarzweißfotografien aus Sizilien. Lose beiliegend: Doppelblatt mit deutschen Übersetzungen der Bildlegenden.

Condizione: Buone. italiano Condizioni dell'esterno: Buone Condizioni dell'interno: Buone.

brossura illustrata. Condizione: ottimo stato. Stampe realizzate da Nicola Scafidi, presentazione di Giuliana Scimé, con testi di R. Cedrini, M. Corselli, G. Pepi. Il volume mostra le immagini dei luoghi e dei personaggi che caratterizzarono negli anni quaranta il mercato ortofrutticolo Palermo "u Scaru". Il mercato venne realizzato negli anni Cinquanta, per tale motivo gli scatti di Nicola Scafidi rappresentano una testimonianza storica importante, ci mostrano infatti il mercato in una fase di passaggio tra vecchio e nuovo, motofurgoni con ceste e carretti dipinti e decorati carichi di frutta. Testo in lingua italiana, inglese, francese e tedesca.

nicola scafidi in the days of giuliano immagini della sicilia del dopoguerra autografato nicola scafidi. .

5 loose silver gelatin photographic prints on baryta paper, ca. 24 x 30 cm, all but one with manuscript captions on the reverse. A small collection of disturbingly gruesome photographs of mob killings in the 1960s by one of Sicily's greatest photo-journalists as printed from his studio, which shows how the Sicilian mafia was thoroughly and chillingly enmeshed in Sicilian society. - Five loose silver gelatin photographic prints, showing mob killings, funerals and families by Nicola Scafidi (1925-2004), Sicily's most important mafia photographer of his time. The Palermo-based photographer Scafidi spent much of his career making striking yet chilling pictures of mob killings, as almost half of the negatives in his archives were shots of the dark world of the Sicilian mafia. - On the back of four of the five photographs is a short caption, stating very briefly what is shown (and sometimes when it happened). All photographs bear the stamp of Scafidi's photographic studio on the back. All but the photograph of Paolino Riccobono bear the same address: "Via [Marino] Stabile no. 171". The address on the photograph of Paolino reads "Via M[arino] Stabile n. 166". Scafidi moved his studio to no. 166 in 1956, but since this photograph was made in 1961, the photograph must have been printed later. We do not know when Scafidi moved to no. 171, but it was very likely also in the 1960s, as the latest dated photographs bears the date 1966, and another shows a 1960 killing. He moved to no. 163 in the same street in 1988, but the present photographs all appear to have been printed in the 1960s. - In very good condition. - Cf. Lee Hockstader, "Sicilian Mafia Licking its Wounds", in: The Washington Post, 21 April 1998; Jane Schneider & Peter T. Schneider, Reversible Destiny: Mafia, Antimafia and the Struggle for Palermo (2003), pp. 103f.

A collection of 5 loose silver gelatin photographic prints, showing mob killings, funerals and families by Nicola Scafidi (1925-2004), Sicily's most important mafia photographer of his time. The Palermo photographer Scafidi spent much of his career making striking yet chilling pictures of mob killings, as almost half of the negatives in his archives were shots of the dark world of the Sicilian mafia.On the back of four of the five photographs is a short caption, stating very briefly what we are seeing (and sometimes when it happened). All photographs bear the stamp of Scafidi's photographic studio on the back. All but the photograph of Paolino Riccobono have the same address: "Via [Marino] Stabile no. 171". The address on the photograph of Paolino reads "Via M[arino] Stabile n. 166". Scafidi moved his studio to no. 166 in 1956, but since this photograph was made in 1961, the photograph must have been printed thereafter. We do not know when Scafidi moved to no. 171, but it was very likely also in the 1960s, as the latest dated photographs bears the date 1966 and another shows a 1960 killing. He moved to no. 163 in the same street in 1988, but the present photographs all seem to have been printed in the 1960s.The present small collection of disturbingly gruesome photographs of mob killings in the 1960s by one of Sicily's greatest photo-journalists as printed from his studio, shows evidently how the Sicilian mafia was so thoroughly and chillingly intertwined in the Sicilian society, touching all levels of society.In very good condition.l Cf. Lee Hockstader, "Sicilian mafia licking its wounds", in: The Washington Post, 21 April 1998; Jane Schneider & Peter T. Schneider, Reversible destiny: mafia, antimafia and the struggle for Palermo (2003), pp. 103-104. 5 loose silver gelatin photographic prints on baryta paper, ca. 24 x 30 cm, all but one with manuscript captions on the reverse.

Condizione: Very Good +. Vintage gelatin silver print. Image dimensions 7 1/4 x 9 3/8 in. (180 x 238 mm), printed to edge. Photographer's copyright stamp and credit sticker on verso, with typewritten title: "Ser. Corleone: La miseriaha cacciato la mafia" (Poverty has chased the mafia away) and pencilled negative number; and "Corleone" handwritten in pen. From Scafidi's series dedicated to poverty and the mafia in the hinterland of Palermo. Nicola Scafidi was born in Palermo in 1925 and began practicing photography very young, having learned the technique from his father. In 1943 he was there to document when the Allies landed in Sicily and he dedicated his life to photojournalism, capturing the contradictions, ugliness and hope of his native Sicily. He portrayed all aspects of life, from the mundane and familiar to the religious, from the destruction of earthquakes to the brutality of the mafia. Celebrated film directors called on him to document the sets of their productions, among them Rossellini, Zeffirelli, DeSica, Fellini, Visconti, and Rosi. His photos appeared in both national and international press, including The New York Times, Life, Time magazine, The Daily Telegraph, Der Spiegel, Paris Match, and they have also been the subject of numerous exhibitions.

Condizione: Near Fine. Vintage gelatin silver print. Image dimensions 7 1/4 x 9 3/8 in. (180 x 238 mm), printed to edge. Photographer's copyright stamp and credit sticker on verso, with penciled negative number. From Scafidi's series dedicated to poverty and the mafia in the hinterland of Palermo. Nicola Scafidi was born in Palermo in 1925 and began practicing photography very young, having learned the technique from his father. In 1943 he was there to document when the Allies landed in Sicily and he dedicated his life to photojournalism, capturing the contradictions, ugliness and hope of his native Sicily. He portrayed all aspects of life, from the mundane and familiar to the religious, from the destruction of earthquakes to the brutality of the mafia. Celebrated film directors called on him to document the sets of their productions, among them Rossellini, Zeffirelli, DeSica, Fellini, Visconti, and Rosi. His photos appeared in both national and international press, including The New York Times, Life, Time magazine, The Daily Telegraph, Der Spiegel, Paris Match, and they have also been the subject of numerous exhibitions.

Condizione: Fine. Vintage gelatin silver print on baryta paper, 11 3/4 x 9 in. (300 x 228 mm), printed to edge. Photographer's credit sticker on verso, with penciled title "Caltagirone" and negative number. From Scafidi's series dedicated to life in Sicilian towns, depicting the monumental staircase of Santa Maria del Monte in Caltagirone, which features the town's famed painted ceramic tiles. Nicola Scafidi was born in Palermo in 1925 and began practicing photography very young, having learned the technique from his father. In 1943 he was there to document when the Allies landed in Sicily and he dedicated his life to photojournalism, capturing the contradictions, ugliness and hope of his native Sicily. He portrayed all aspects of life, from the mundane and familiar to the religious, from the destruction of earthquakes to the brutality of the mafia. Celebrated film directors called on him to document the sets of their productions, among them Rossellini, Zeffirelli, DeSica, Fellini, Visconti, and Rosi. His photos appeared in both national and international press, including The New York Times, Life, Time magazine, The Daily Telegraph, Der Spiegel, Paris Match, and they have also been the subject of numerous exhibitions.

Condizione: Fine. Vintage gelatin silver print on baryta paper, 11 3/4 x 8 1/4 in. (300 x 208 mm), printed to edge. Photographer's credit sticker on verso, with penciled title "Caltagirone" and negative number. From Scafidi's series dedicated to life in Sicilian towns, depicting the monumental staircase of Santa Maria del Monte in Caltagirone, which features the town's famed painted ceramic tiles. Nicola Scafidi was born in Palermo in 1925 and began practicing photography very young, having learned the technique from his father. In 1943 he was there to document when the Allies landed in Sicily and he dedicated his life to photojournalism, capturing the contradictions, ugliness and hope of his native Sicily. He portrayed all aspects of life, from the mundane and familiar to the religious, from the destruction of earthquakes to the brutality of the mafia. Celebrated film directors called on him to document the sets of their productions, among them Rossellini, Zeffirelli, DeSica, Fellini, Visconti, and Rosi. His photos appeared in both national and international press, including The New York Times, Life, Time magazine, The Daily Telegraph, Der Spiegel, Paris Match, and they have also been the subject of numerous exhibitions.

Condizione: Near fine. Vintage gelatin silver print. Image dimensions 7 3/4 x 9 1/2 in. (197 x 242 mm), printed to edge, bottom left corner stlightly bent Photographer's copyright stamp and credit sticker on verso, with penciled title and date "'60s/'70s" A striking photograph from Scafidi's copious production of images relating to crime news, depicting the traditional funerary carriage in a stark landscape near Palermo. Nicola Scafidi was born in Palermo in 1925 and began practicing photography very young, having learned the technique from his father. In 1943 he was there to document when the Allies landed in Sicily and he dedicated his life to photojournalism, capturing the contradictions, ugliness and hope of his native Sicily. He portrayed all aspects of life, from the mundane and familiar to the religious, from the destruction of earthquakes to the brutality of the mafia. Celebrated film directors called on him to document the sets of their productions, among them Rossellini, Zeffirelli, DeSica, Fellini, Visconti, and Rosi. His photos appeared in both national and international press, including The New York Times, Life, Time magazine, The Daily Telegraph, Der Spiegel, Paris Match, and they have also been the subject of numerous exhibitions.

Condizione: Fine. Vintage gelatin silver print on baryta paper, 11 3/4 x 9 in. (300 x 228 mm), printed to edge. Photographer's credit sticker on verso, with penciled title "Caltagirone" and negative number. From Scafidi's series dedicated to the towns in Palermo's hinterland, depicting two horse-drawn carriages in front of the city museum, housed in a former Bourbon jail. Nicola Scafidi was born in Palermo in 1925 and began practicing photography very young, having learned the technique from his father. In 1943 he was there to document when the Allies landed in Sicily and he dedicated his life to photojournalism, capturing the contradictions, ugliness and hope of his native Sicily. He portrayed all aspects of life, from the mundane and familiar to the religious, from the destruction of earthquakes to the brutality of the mafia. Celebrated film directors called on him to document the sets of their productions, among them Rossellini, Zeffirelli, DeSica, Fellini, Visconti, and Rosi. His photos appeared in both national and international press, including The New York Times, Life, Time magazine, The Daily Telegraph, Der Spiegel, Paris Match, and they have also been the subject of numerous exhibitions.