ash wednesday di eliot (33 risultati)

Condizione: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,450grams, ISBN:0333212339.

Condizione: Good. Paperback, 8vo.; Cover partly browned.

Condizione: Bueno. Ed. Diputacion Provincial de Alicante 1976. Rustica. 30x21. 40 pp.

Hardcover. Condizione: Near Fine. 1st Edition. First American trade edition. Black cloth, yellow lettering and cartouche on front cover. Spine very slightly faded. Issued in a fragile glassine dust jacket which is not, alas, present.

Hardcover. Condizione: Good. First Trade Edition. First trade edition with 1930 on title and copyright page (in roman numerals on copyright page). Rust colored cloth boards with gilt lettering on cover and spine. Slight rubbing to edges; spine is faded and a bit slanted; mild soiling and staining; some very light scratching. Page gutter near center is cracked, but binding is still tight. Moderate toning to page margins. Faint stamp reading "P. M. P. " on title page. Small brown stain to bottom edge of front fly leaves. Name of previous owner in pencil on front free endpaper. Text block has a gilt top stain. This book shares a single long poem by influential Modernist poet T. S. Eliot (1888-1965). The poem was inspired by Eliot's conversion to Anglicanism and deals with the struggle for spiritual salvation. ; 12mo - over 6¾ - 7¾" tall; 21 pp.

Condizione: As New. ~ Invulgar estudo crítico na bibliografia elotiana ~ Prefácio de Joaquim Manuel Magalhães ~ Brochura editorial, conservando o marcador próprio ~ 156p ~ 23x18x1cm. ~ Como novo ~ LANGUAGE: Português // We accept PayPal & EU bank transfer in EUROS //.

Hardcover. Condizione: Very Good. 1st Edition. Second impression hardback, remains of DJ. PRinted same year as first. 24pp. No damage. Very good condition.

Very good+ in black cloth, no dj. Corner bumped.

Hardcover. Condizione: Good. Condizione sovraccoperta: Fair. Quite a few tears to dust jacket, book in clean condition.

Hardcover. Condizione: Good. No Jacket. clean, a bit loose on hinges, but pages securely attached, edge wear, bumped. BP/poetry.

First Edition. New Edition. Near fine copy in the original gilt-blocked cloth. Slightest suggestion only of dust-dulling to the spine bands and panel edges. Remains particularly well-preserved overall; tight, bright, clean and strong. Physical description: 25p. Subject: English poetry 20th century. 1 Kg.

Hardcover. Condizione: Very Good. No Jacket. 1st Edition. The book is bound in orange/brown boards with bright gilt letters on the spine & front cover + bright gilt design on the front cover. There is very light wear on the spine tips & cover corners. Light browning to the fore-edge of the pages. The contents are clean & unmarked, the binding is tight. States: "First Published in MCMXXX".

Il poemetto, edito da ELIOT nel 1930, (il primo dopo la sua conversione all'anglicanesimo e considerato da Edwin Muir "the most perfect"), è tratto da "Collected Poems 1909-1935", New York 1936 e occupa ben 7 pagine, introdotto da una nota di 2 pagine di Sergio BALDI sul poeta. Il fasc. in-8° (cm. 27,5x19,8), bross. edit. è completo delle sue 60 pagine e contiene inoltre 1) un saggio Piero BARGELLINI su CIMABUE, 16 pp. + 6 TAVOLE e una dozzina di Iillustrazioni in bianco e nero (in tutto 16 particolari e 1 affresco). 2) 7 brevi testi provocatori e pungenti dell'ultracattolico PAPINI. 3) un forte tragico RACCONTO di 8 pagine di Armando MEONI ( Prato 1894-1984). 4) 2pp. di Luigi Fallacara su Giovanni COMISSO, 5) 6 pp. di Carlo BO sul surrealismo, 6) 8 pp. di Augusto HERMET sulla rivista "Il Leonardo". Ecc.

HARDCOVER. 1930. Second impression. A good copy in rubbed and lightly soiled brown cloth boards with a gilt decoration to the front panel and gilt lettering to the spine. A previous owners name to the front free endpaper and the pages are lightly age tanned. Scans available if required.

First Edition. New Edition. Near fine copy in the original gilt-blocked cloth. Slightest suggestion only of dust-dulling to the spine bands and panel edges. Remains particularly well-preserved overall; tight, bright, clean and strong. Physical description: 25p. Subject: English poetry 20th century. 1 Kg.

Espiga: Mexico, 1946. 35p. Stapled wraps with printed cover with artwork by Juan Soriano (1920-2006). Same illustration on title page. #8 of 200 numbered copies. English/Spanish text. Inscribed by the translator, B. Ortiz de Montellano with his initials. Soriano was a known Mexican artist. Mexico. 00056.

First American Trade Edition. Very good. All books described as first editions are first printings unless otherwise noted.

29 pp. 8vo, original black cloth. First American trade edition. Owner's name and date on front free endpaper; otherwise a nice copy with the slightest of use to extremities.

Hardcover. Condizione: Fine. Cloth. Fine. First American. 8vo - over 7¾" - 9¾" Tall.

Hardcover. First UK Edition, First Printing. Octavo, 21 pages. In Good condition. Tan-orange spine with gilted lettering. Missing dust jacket. Boards have stains on the rear board and joint corners, mild wear along the extremities, light bumping on the head fore corners, and mild wear along the spine head and tail edges. Textblock has stains on the end-pages and pastedowns, adhesive wear along the hinges between the end-pages and pastedowns, moderate age-toning along the edges, mild wear along the edges, and gilted along the head edge. Shelved Room C. 1388774. Special Collections.

12mo. pp. 21. mid-brown gilt-stamped cloth. Fine in defective & repaired dw. First Trade Edition. 2000 copies printed. Connolly 65.

Signed limited edition of T. S. Eliot's classic "conversion poem." Octavo, original cloth decorated in gilt. One of six hundred numbered copies signed by the author on the colophon, this is marked "out of series." In near fine condition, bookplate to the front pastedown. A very sharp example. Published in 1930, Eliot's Ash Wednesday presents the struggle and difficulty of embracing religious belief and the possibility of personal salvation in the midst of angst, spiritual exhaustion and uncertainty.

Hardcover. Condizione: Fine. 1st Edition. Though Ash Wednesday does mark the shift to Eliot's later style and turning to the church, there is I think a strong argument to read it, with its weighty anaphora and endless citations, as more of a continuation or even hardening of Eliot's lifelong poetic project than a dramatic break. This is an essentially unique copy of the first US edition, beautifully published by Fountain Press, New York, in 1930, because of the 400 copies reserved for US sale that were printed at Curwen Press this is unnumbered and unsigned and bears the Curwen Press' own library label affixed to the inside cover. The linen- backed boards bear a green pattern that differs from other published versions, suggesting this was a trial copy later kept for the house's archive.

Hardcover. Condizione: Fine. Condizione sovraccoperta: poor. First printing: Signed Limited edition. 28pp. Copy #72 of the 200 copies signed by Eliot which were printed for Great Britain, a further 400 being printed for the Fountain Press in America. 20.5x15cms, in the original binding of blue cloth, titled and decorated in gilt. With its glassine dust jacket with plain paper ends to retain the flaps: this is slightly wrinkled, has small closed tears at the spine head, and a small tear with loss to the spine foot, which have resulted in some very slight fading to the spine ends, as can be discerned in the photograph. The book itself is fine and bright throughout, though with some toning to the inner portion of the free endpapers which had not been in contact with the flaps of the jacket. It has been kept in its battered and split, and presumably original, tan slip-case, which has protected it well. Unusual to have the jacket and case still present, however the 90+ years have treated them. A beautiful copy. (More photographs of this book can be seen on my website).

Hardcover. Second Edition. A nondescript copy but for the fact that it is INSCRIBED by Eliot to his niece on the title-page: "Inscribed for/Theodora Eliot Smith/by T. S. Eliot." Theodora was one of two daughters of Eliot's sister Charlotte. A lovely family association copy. Mild foxing to endpapers, minor occasional foxing to text. Toning to boards with light wear to spine tips. Very Good, lacking the dustwrapper.

Hardcover. Condizione: Very Good. 1st Edition. Small 8vo. Pp 28, Original cloth with title within decorative border to front cover. Teg. Binding shows a little very light marking. A small number of scribbled penciled lines to rear free endpaper; these have been erased but still just show. No.96/600 copies printed at the Curwen Press and signed by the author.

Hardcover. Condizione: Very Good. 1st Edition. Sm.8° - 29pp - Ash-Wednesday by T.S.Eliot (1888-1965) British essayist, publisher, playwright, literary and social critic, and "one of the twentieth century's major poets". First American Trade Edition, Autumn, 1930. Previous owner signature (Martha Dodd-Stern: American journalist and novelist). Original black binding. In very good condition.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st Edition. First edition. One of 600 copies signed by T.S. Eliot. This SIGNED/LIMITED EDITION is in excellent shape, with a slight wear to the edges. The binding is tight and the boards are crisp. The pages are exceptionally clean, with no writing, marks or bookplates in the book. A beautiful copy SIGNED by the author. We buy SIGNED T.S. ELIOT First Editions. Signed by Author(s).

First edition. Fine in good-only dust jacket with considerable wear, tape repair (inside and out), 3/4-inch chipped from top of spine affecting "T. S." and small holes in spine, one of which affects "AY" in title. Still, scarce in any dust jacket.

Condizione: Near fine. Condizione sovraccoperta: Good +. First Edition. 8vo, 7 5/8 x 5 inches (192 x127 mm); 21 pp. Brown cloth boards stamped in gold on front cover and on spine; t.e.g., others untrimmed. Dust-jacket printed in green, black, and red, with design by Edward Balden, price clipped, spine panel fragile and split, several chips and small tears to the top edge and bottom rear corner. Bookseller ticket pasted inside front cover; small script pencil notes on rear jacket flap and some pages. [Gallup A15b]. In 1927 T. S. Eliot converted to Anglicanism and became a British citizen, thus renouncing his American nationality. "Ash-Wednesday" is the first long poem he wrote after his conversion. Published in 1930, it deals with the struggle that ensues when a person who has lacked faith acquires it. Sometimes referred to as Eliot's "conversion poem", it is richly but ambiguously allusive, and deals with the aspiration to move from spiritual barrenness to hope for human salvation. Eliot's style of writing in "Ash-Wednesday" showed a marked shift from the poetry he had written prior to his 1927 conversion, and his post-conversion style continued in a similar vein. His style became less ironic, and the poems were no longer populated by multiple characters in dialogue. Eliot's subject matter also became more focused on his spiritual concerns and his Christian faith. (Raine, Craig. T. S. Eliot. New York: Oxford University Press, 2006) From the estate of Robert Cecil Bald (1901 1965), an Australian scholar of English Literature, who moved to the US to teach at Cornell University in 1937 and was then a professor at the University of Chicago from 1952 to 1965.