en attendant godot di samuel beckett, Prima edizione (27 risultati)

Condizione: Good. Envoi rapide annotation en page titre. 11 8x0 8x17 6cm. 2004. Broché. Good.

Hardcover. Condizione: Near Fine. First Edition Thus. Full number line 10-1. Translated by the author from the original French text. In pictorial boards with sharp corners, clean interior and solid binding. Minimal wear. No jacket as issued. 1st Printing.

Hardcover. Condizione: Near Fine. No Jacket. 1st Edition. NF. Numbering sequence denotes 1st Printing of the bi-lingual 2006 Grove stated 1st Edition thus, with introduction by S.E. Gontarski; presented in the original French on the verso and English translation by the Playwright on the recto. Book is straight, square, tightly and evenly bound and free of gutter creasing, markings and blemishes. Cover is clean and bright, with sharp corners and joints, straight headcap, tails, spine, hinges and edges, boldly legible lettering and crisply distinct design and artwork. No Dust Jacket, as issued. (Please see Seller images). ISBN 9780802118219. ShiroBooks, independent bookseller, takes pride in accurate descriptions, careful wrapping and safe shipping. CONTACT SHIROBOOKS PRIOR TO ORDERING if any questions or for more information, details or photos.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st Edition. First printing. Volume, measuring approximately 5.25" x 8.25", is bound in black paper spine and boards, with stamped gilt lettering to spine. Book and dust jacket are like new. 192 pages. "Written in French and first performed at the Theatre de Babylone in Paris, in 1953, "En attendant Godot" was subsequently translated by Samuel Beckett into English as "Waiting for Godot." It was performed at the Arts Theatre in London in 1955, and first published by Faber in 1956. To mark the centenary of Beckett's birth and the fiftieth anniversary of its original publication, Faber are now publishing for the first time a bilingual edition of this great masterpiece. Subtitled "a tragedy in two acts", and once famously described by the Irish critic Vivian Mercier as a play in which "nothing happens, twice," "Waiting for Godot" is also a play that was written twice. Here, on facing pages, the reader can watch it unfold simultaneously in two languages.".

Cloth. Condizione: Very Good+. No Jacket. First British Edition. This 101 pp. book is a play in French, with pictures from the stage production interspersed. The book is in 3 sections, the first (Biogrophy; Works; Godot Genesis) in English, the 2nd (the play) in French and the 3rd contains explanation of notations in the play in English and French. No listing on line has a jacket. Six small brown spots on the bottom page edges, otherwise the book is pristine. Photos upon request.

Soft cover. Condizione: Good. VICTOR ROSS (COVER ART) (illustratore). 1st Edition. Illustrated card covers (Paperback) 210 x 140 mm approx. viii + 120 pp. Second Printing 1964 in Macmillan's Modern French Literature series under the general editorship of Germaine Bree. Good (Covers mild shelf rubbing and tanning - spine and top rear panel, no notable soiling. Previous owner ink name to top reverse front cover. No annotations . Binding sound with no other notable defects).

1st edition hardback in original cloth Very Good small octavo cxxxv + 101pp., frontis., b/w plates, notes, bibliog., An important edition with 118pp. introduction. Neat ownership signature & occasional annotations in text o/w a very good copy.

1st edition softback with stiff wrappers As New small octavo 207pp., frontis., bibliog., index, FRENCH TEXT. Uncommon.

Taschenbuch. Condizione: Sehr gut. 1., Aufl. 256 Seiten dieselbe ISBN-anderes Cover, Schnitt etwas vergilbt u. Etikettenrest am Cover, kleine Lagerspuren am Buch, Inhalt einwandfrei und ungelesen 410878 Sprache: Deutsch Gewicht in Gramm: 160.

Soft cover. Condizione: Very Good. 1st Edition. Original publisher's white wrappers, printed in blue and black. 2nd printing. first illustrated edition. Octavo. 163pp. Publisher's white paper wrappers lettered in blue and black. Illustrated with two leaves of plates 1954 (back page) Wrappers. About very good. Pages browned. Covers worn. See photos.

Editions de Minuit, (Paris) 1962. 8°. 163 Seiten. OBroschur. Name auf Vorsatz. Erste französische Ausgabe.

Couverture souple. Condizione: Bon. 1ère Édition. Editions de Minuit, 1952 - In-12 broché, couv. cart. 163 pages, dos bruni avec petite trace d'humidité ancienne en pied (n'affectant que la couverture), légère trace du temps sur les plats, petite griffure au coin inférieur du premier plat, sinon bon état. Edition originale du tirage courant (après seulement 35 exemplaires numérotés sur vélin), achevé d'imprimer en date de septembre 1952.

Softcover. Condizione: Very Good. Second (first illustrated) edition. Octavo. 163pp. Publisher's white paper wrappers lettered in blue and black, topedges unopened. Illustrated with two leaves of plates. Wrappers with spine toned and moderate wear, pages toned, front blank with one large chip and two small chips at the topedge, about very good.

First trade edition, first printing (only preceded by the private edition of just 35 numbered copies); small 8vo; somewhat browned internally as always with the papier courant issue; original wrappers printed in blue and black, in the very early, if not original glassine, vertical crease to backstrip, else very good. Effectively the earliest obtainable manifestation of Godot. Written between October 1948 and January 1949, the play was not produced until January 1953, with Roger Blin directing at the Theatre de Babylone (the English language version premiered some two years later in London). First published in September 1952 by Les Editions de Minuit, ahead of the first full performance, only 2500 copies were printed. Thirty 'reviewers came to the générale of En attendant Godot before the public opening. Contrary to later legend, the reviewers were kind. Some dozen reviews in daily newspapers range[d] from tolerant to enthusiastic. Reviews in the weeklies [were] longer and more fervent; moreover, they appeared in time to lure spectators to that first thirty-day run' (Cohn, From Desire to Godot).

162, [4] pp. 8vo. First trade edition (after 35 signed copies on large paper), one of 2,500 copies. 162, [4] pp. 8vo. Beckett's masterpiece, and one of the defining works of the 20th century. A major innovation in modern drama, possibly the most important play of the 20th Century, and certainly the first theatrical success of the Theatre of the Absurd. Waiting for Godot was the play that secured Beckett's lasting fame. No matter that he'd been publishing since the 1920s or was Joyce's amanuensis. This play, in which "nothing happens," set him on a course that led to the Nobel Prize for Literature in 1969. Overall, a very well-preserved copy: these trade editions from Les Éditions de Minuit are delicate in construction and notoriously fragile. Federman & Fletcher 259; En français dans le texte, 395 Original printed wrappers, with author's photograph and blurbs on rear wrapper. A very good plus copy, the pages skillfully opened without damage to the margins, the spine toned and lightly cocked, and with narrow shadow along top edge of front wrapper, paper somewhat toned as usual First trade edition (after 35 signed copies on large paper), one of 2,500 copies.

Softcover. Condizione: Wie neu. Condizione sovraccoperta: Wie neu. 1. Auflage. First Trade Edition, First Printing. A near fine copy in near fine original printed wrappers in the original glassine. One of 2'500 copies preceded by a first edition of just 35 numbered copies.

First trade edition, first printing (only preceded by the private edition of just 35 numbered copies); small 8vo; somewhat browned internally as always with the papier courant issue; original wrappers printed in blue and black, in the very early, if not original glassine, very light vertical crease to backstip but an absolutely stunning copy and rare thus; contained in a custom-made, blue cloth drop-down box. The best copy we have handled of what is effectively the earliest obtainable manifestation of Godot; a beautiful thing. Written between October 1948 and January 1949, the play was not produced until January 1953, with Roger Blin directing at the Theatre de Babylone (the English language version premiered some two years later in London). First published in September 1952 by Les Editions de Minuit, ahead of the first full performance, only 2500 copies were printed. Thirty 'reviewers came to the générale of En attendant Godot before the public opening. Contrary to later legend, the reviewers were kind. Some dozen reviews in daily newspapers range[d] from tolerant to enthusiastic. Reviews in the weeklies [were] longer and more fervent; moreover, they appeared in time to lure spectators to that first thirty-day run' (Cohn, From Desire to Godot). Federman & Fletcher 259.

Paris, Les Editions De Minuit, 1952. 8°. 163 Seiten, 2 Bl. OKarton. "WE ARE WELLKNOWN FOR BOOKS ONLY IN BEST CONDITION!" Erste Ausgabe. First edition. - 'Dépot legal 3e trimestre 1952': September. Fletcher gibt Oktober an. - Schön geschriebener Name auf fliegendem Vorsatz. Deckel hinten leicht fleckig. - Gutes Exemplar. - Original printed wrappers. The issue on ordinary paper. Nice ownership signature on first leaf. As usual, slight darkening to wrappers. No tears, no wear. Very good copy. Scarce. Sprache: Französisch. *** Bitte kontaktieren Sie uns immer BEVOR Sie bestellen! Für ausführliche Beschreibungen und Bilder sowie günstigere Versandoptionen kontaktieren Sie mich bitte per Email! Please contact us always BEFORE you order! For detailled descriptions and photos as well as cheaper shipping options please send an email! ***.

First edition, one of 2500 copies printed of the author's masterpiece. Octavo, original wrappers printed in blue and black. In excellent condition with light rubbing to the extremities. âOne of the most influential plays of the post-war periodâ and a central document of the Absurdist school, Waiting for Godot earned Beckett worldwide acclaim (Drabble, 1038). âBeckettâs work invented an entirely new theatrical language, palpable and comprehensible images of the absurd, and unforgettable metaphors of the human conditionâ (Hollier, 1010). "One of the true masterpieces of the century" (Clive Barnes, The New York Times).

Broché. édition originale. 1 volume in-8° Broché Édition originale sur papier ordinaire:il n'a été tiré que 35 exemplaires sur vélin supérieur. Très rare. Rousseurs habituelles, mais couvertures très belles. Peut-être la plus importante pièce de théâtre du XXè siècle ? 1 volume in-8°.

Paperback. First Edition. First trade edition, first printing, in the original French. Approaching Near Fine, with toning to pages, spine and lightly to wraps, light soiling and light wear to wraps, with light wear to base of spine. Beckett's masterpiece was first composed and published in French and performed in 1953 at the Theatre de Babylone in Paris. It would later be translated into English by Beckett himself.

Soft cover. Condizione: Very Good. First Edition. Very good in original wrappers, which are creased with light additional wear. One of 2500 copies of the first printing of the original edition of En attendant Godot (Waiting for Godot).

Condizione: Near Fine. First Edition. First trade edition, first printing, text in French. Bound in publisher's white wraps printed in black and blue. Near Fine with slight lean and light creasing to spine, light edge wear and light soiling to covers, name effased from first blank sheet, toning throughout. A fantastic copy of the Irish playwright's absurdist comedy that was first performed in 1953 at the Theatre de Babylone in Paris.

Condizione: Very Good. First edition. A Very Good copy of the first trade edition, following the 35 signed copies. A fragile softcover book. Front wrapper reattached and a tear repaired on p 29. Spine creased and a bit toned, text block also a bit browned, as often. Beckett's hugely influential tragicomedy is one of the masterpieces of twentieth-century theater. Beckett had originally written the play in French between the fall and winter of 1948-1949, but would not translate the play into English until its London premier in 1955. In fact, this edition of the play the Minuit edition - was released in 1952, before the play's first performance the next year. Beckett was thought to have been inspired to write the work after viewing Caspar David Friedrich's painting "Mann und Frau den Mond betrachtend" (Man and Woman observing the Moon). "It arrives at the custom house, as it were, with no luggage, no passport and nothing to declare: yet it gets through as might a pilgrim from Mars. It does this, I believe, by appealing to a definition of drama much more fundamental than any in the books. A play, it asserts and proves, is basically a means of spending two hours in the dark without being bored" (Contemporary Observer review from the famed drama critic Kenneth Tynan.). Very Good.

Condizione: Near Fine. First edition. A Near Fine copy of the first trade edition, following the 35 signed copies. A fragile softcover book, uncommon in this condition. Spine slightly toned and a crease running the length, slight nicks at the spine ends and a small stain on the rear wrapper. Pages a bit toned, as usual, otherwise an excellent copy internally. Beckett's hugely influential tragicomedy is one of the masterpieces of twentieth-century theater. Beckett had originally written the play in French between the fall and winter of 1948-1949, but would not translate the play into English until its London premier in 1955. In fact, this edition of the play the Minuit edition - was released in 1952, before the play's first performance the next year. Beckett was thought to have been inspired to write the work after viewing Caspar David Friedrich's painting "Mann und Frau den Mond betrachtend" (Man and Woman observing the Moon). "It arrives at the custom house, as it were, with no luggage, no passport and nothing to declare: yet it gets through as might a pilgrim from Mars. It does this, I believe, by appealing to a definition of drama much more fundamental than any in the books. A play, it asserts and proves, is basically a means of spending two hours in the dark without being bored" (Contemporary Observer review from the famed drama critic Kenneth Tynan.). Near Fine.

S.l., Les Editions de Minuit, (1952). Un vol. au format in-12 (172 x 117 mm) de 162 pp., broché. Edition originale de la traduction française ; ici exempte de toute mention d'édition. Oeuvre la plus célèbre du dramaturge irlandais, elle suscite bien des interrogations et à cet égard, de nombreux livres et articles ont tenté de découvrir qui était Godot. L'une des tentatives d'explications récurrentes est que Godot serait le mélange du mot anglais «God-» (Dieu) et d'un suffixe français populaire «-ot». Cette explication donnerait une dimension métaphysique à la pièce: les deux personnages attendent l'arrivée d'une figure transcendante pour les sauver, mais elle ne vient jamais.«Je ne sais pas plus sur cette pièce que celui qui arrive à la lire avec attention. [.] Je ne sais pas - a déclaré l'auteur - qui est Godot. Je ne sais même pas, surtout pas, s'il existe. [.] Quant à vouloir trouver à tout cela un sens plus large et plus élevé, à emporter après le spectacle, avec le programme et les esquimaux, je suis incapable d'en voir l'intérêt. Mais ce doit être possible.» Vignes, Midnight forever !, 55. Plats présentant un éclat légèrement altéré. Très discrète décharge d'adhésif aux premier et dernier feuillets. Papier légèrement oxydé. Du reste, belle condition.

First edition, first printing, trade issue, scarce in such nice condition. This masterpiece of absurdist theatre and 20th-century literature was published on 17 October 1952. The theatrical premiere took place at the Théâtre de Babylone in Paris on 5 January 1953. Its extraordinary success "was responsible for Beckett's rise to worldwide fame, as the play rapidly became an object of intense international interest and controversy" (ODNB). The trade issue consisted of 2,500 copies bound in the fragile wrappers. There were also 35 numbered copies issued on vélin supérieur and designated "L'edition originale". Beckett's own English translation of the work appeared two years later, published in New York by the Grove Press. Federman & Fletcher 259. Octavo. Original white wrappers, spine and covers lettered in blue and black, blue rules to covers, small photographic illustration of author on rear cover, edges untrimmed. Gentle vertical crease to spine, negligible soiling to wrappers, toning to contents as usual, otherwise clean. A near-fine copy.