flemish tapestry di delmarcel guy (12 risultati)

Hardcover. Condizione: Good. No Jacket. Dust jacket missing. Shelf and handling wear to cover and binding, with general signs of previous use. Boards have light shelf rubbing with scuffing and smudging as well as bumping. Binding is heavily shaken due to the weight of the textblock. Page edges have light scuffing and smudging. Interior pages are age-toned. Secure packaging for safe delivery. 1.01.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Near Fine. 1st Edition. Harry N. Abrams, New York, 2000. Hardcover, 383 pp. 1st US edition. Large format. Tapestries were described in southern Europe as "the mobile frescoes of the North", and were among the most luxurious art objects of their day. This beautiful work of scholarship delves into the history and development of Flemish examples, from the 15th century to the period just before the French Revolution. Profusely illustrated in color. Fine condition in a near fine dust jacket. **Heavy or oversize Item. An extra shipping charge may apply.**.

Hardcover. Condizione: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less 6.95.

hardcover. Condizione: Acceptable. May have underlining, highlighting, margin notes, remainder marks, inscriptions, book plates, tears, significant wear, and/or a missing dust jacket, box, or discs. Damaged item.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. First Edition. 1st Printing. Hardcover. Book Condition: Very Good. Jacket Condition: Very Good. Harry N. Abrams, New York, NY 2000. First Edition. 1st Printing. 383 pages. Nice Firm Clean copy ! Size: Folio 12 - 15'' tall. Art::Other Media Antiques Collectibles::Rugs Crafts Hobbies::Fabric Arts 5945L.

Hardcover. Condizione: Good. 1999 Thames & Hudson large format hardcover edition. Light reading wear, tape repair to binding else very good condition.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Very Good. An extremely clean, bright and crisp hardback first UK edition (1999) in a clean and fresh pictorial dust jacket. No previous ownership names. 383 numbered pages. Size: 33.5 cm x 26cm approx. Apart from about 4cm beneath the head of the spine, the dust jacket is sunned (see image), but overall this is an extremely fresh and attractive hardback copy. This heavy, handsome, large-format volume will require extra postage if ordered from oversaes.

Hardcover. Condizione: new. Prompt service guaranteed.

Hardcover. Condizione: As new. Condizione sovraccoperta: as new. Harry N. Abrams, 2000. 382pp., color, black and white illustrations throughout. Folio. Remainder line across lower edge of textblock, else as new unread hardcover, as new d/j.

335x255: 384pp. colour and black and white illustrations, index. Original cloth (Hardback) in dust jacket, Very Good/Very Good. ISBN: 0 810 93345 4 , Weight: 3220g. This item is heavy and may require additional shipping .

232 p., 94 b/w ill. 28 colour ill., 245 x 297 mm, Languages: English,Hardback. ISBN 9782503521749. Professor Dr Guy Delmarcel was Curator of Textiles at the Brussels Koninklijke Musea voor Kunst en Geschiedenis (1975-1990) and Professor of History of Art at the Catholic University of Leuven (1981-2002). He passionately devoted his career to the study of Flemish tapestry. His intensive research on the 'Mobile Frescoes of the North' resulted in numerous articles, books, lectures, and exhibitions, thereby unlocking tapestry to both scholars and the general public. Guy Delmarcel has now been given emeritus status. The Department of Archaeology, History of Art and Musicology decided to honour its former chairman by offering him a Festschrift entirely dedicated to his beloved field of research. Fourteen renowned tapestry scholars from all over the world willingly accepted the invitation to celebrate their esteemed colleague. Throughout the centuries Flemish tapestry has eagerly been collected. In the Middle Ages and Early Modern Times the European elite spent fortunes on these lavish works of art. A number of essays compiled in the present volume focus on the patronage and collections of European kings and noblemen. In the nineteenth and twentieth centuries European and American museums became important collectors of Flemish tapestry, as is demonstrated by some museological studies presented in Studies in Honour of Guy Delmarcel. This penetration by Flemish tapestry of the public realm has obviously necessitated iconographic and stylistic studies. A number of new analyses are gathered in the Festschrift. Contents : Rotraud Bauer, Zur Ikonographie der Tapisserienserie Die Sechs Weltzeitalter im Kunsthistorischen Museum in Wien; Maria Hennel-Bernasikowa, The Role of the Tapestries of Sigismund II Augustus in Polish Royal Ceremonies; Pascal-Francois Bertrand, Tapisseries de Flandres et autres tentures parmi les dessins d'archeologie de Roger de Gaignieres; Birgitt Borkopp-Restle and Andre Brutillot, L?Histoire de Saint Paul et ses additions. Une serie de tapisseries du Musee national de Baviere ; Iain Buchanan, The Tapestries Purchased by King Eric XIV of Sweden at Antwerp in 1560-1561. New Documentation; Thomas P. Campbell, The Story of Abraham tapestries at Hampton Court Palace; Ingrid De Meuter, Le peintre anversois Pieter Spierinckx (1635-1711), createur de cartons de tapisseries; Nello Forti Grazzini, Renaissance Tapestry and Italian Patronage; Wendy Hefford, Brussels Horsemanship tapestries owned by Charles I and Frederick Prince of Wales; Concha Herrero Carretero,Tapices flamencos en la coleccion de la Corona de Espana; Lucia Meoni, Gli arazzi fiamminghi nella collezione de'Medici ; Hillie Smit, New Data on the History of a Set of Scenes of Country Life "after Teniers" in the Rijksmuseum Amsterdam; Christa C. Mayer Thurman and Koenraad Brosens, Flemish Tapestries in the Collection of The Art Institute of Chicago. 0 g.

Hardcover. First Edition; First Printing. Near Fine in a Near Fine dust jacket.