i promessi sposi di alessandro manzoni, Copia autografata (8 risultati)

Hardcover. Limited Edition #301/1500. Large octavo, pages. In Very Good minus condition with Good condition slipcase. Spine is beige cloth with gray label and gilt lettering. Slip case has significant chipping and scuffing along open end. Boards have mild shelving wear along extremities and mild soiling along cloth spine. Text block has mild waviness and scuffing along edges. Signed flat by Bruno Bramanti [Engraver] and Giovanni Mardersteig [Printer] on publisher's limitation page. Shelved in hallway overflow. 1395027. Special Collections.

Hardcover. Condizione: Very Good. SIGNED. (1951). 8vo. LIMITED NUMBERED EDITION one of 1500 copies SIGNED by Gonin and the printer. Lackin dust jacket. Foxing and toning to textblock edges. Faint, uneven toning and spotting to end papers and pastedowns. Slight discoloration to spine of rubbed boards with light bumping and wear to forecorners. Cracking to edges of rubbed slipcase resulted in splitting to top rear edge and rear joint of closed end. Light bumping, wear, and exposure to slipcase corners. VG in G slipcase. Illustrator.

Hardcover. Bruno Bramanti (illustratore). Large octavo (7" x 10-1/2") bound in Italian linen with decorated paper sides wood-blocked by Varese of Milano. The authorized translation of 1844 revised and with a long introduction by Ronald H. Boothroyd. Illustrated with the designs of Francesco Gonin engraved in wood by Bruno Bramanti. One of 1500 copies printed by G. Mardersteig at the Officina Bodoni and SIGNED by the artist and by the printer on the colophon page. This copy not numbered, acquired directly from the publisher. Fine in a Very Good dustwrapper with the spine slightly darkened, lacking the slipcase.

0. 4°. XI, 671 (1) S. Mit Holzst. v. Francesco Gonin. HLwd. Etw. ber. u. best. Vorsatzbll. l. fl., tls. im Rand minimal gebr. Half cloth. Slightly rubbed and bumped. Flysheets a little stained. Nice copy. Nr. 17 von 1500. Signiert von Stecher u. Drucker. No. 17 of 1500. Signed by the engraver and printer. Auf Wunsch gerne Foto via e-mail. Sprache: Deutschu 1,834 gr.

Condizione: Near Fine. Condizione sovraccoperta: Very Good. Verona: Printed for the Members of The Limited Editions Club at the Officina Bodoni, 1951. First Thus, Limited to 1500 copies of which this is no. 332. Tall octavo (27cm.); publisher's linen over decorative paper-covered boards, grey topstain, in dust jacket and original paper-covered slipcase, xi,[3],676pp.; vignettes throughout. Jacket lightly dust-soiled and spine panel toned, brief scuffing to slipcase margins, else a Very Good or better example. Signed by the engraver and printer on colophon in rear.

Verona 1951. Illus by Francesco Gonin, engraved by Bruno Bramanti, 10.5x7.5", cloth backed boards, 677pp. Translated by Ronald H. Boothroyd. SIGNED BY BRAMANTI AND GIOVANNI MARDERSTEIG, the book's printer.

Roma, Edizioni d'Arte Art Market (stampa: Gally & Thierry - Milano), 1982 (novembre), Edizione originale di pregio. Esemplare numero 511 di 1999 firmato dall'artista al colophon e pregiato da dedica autografa dello stesso al frontespizio al critico Andrea Bisicchia. Tracce di umidità al lato inferiore delle carte e qualche segno del tempo ai piatti, per il resto in ottimo stato. Monumentale edizione dei «Promessi sposi» magistralmente illustrata da Aligi Sassu con cinquantotto tavole a colori. Originariamente realizzati tra il 1943 e il 1944 a corredo di un intenso periodo di studio manzoniano da parte del pittore e scultore milanese, gli acquarelli vennero riscoperti nel 1977 e infine pubblicati nel 1982 nell'emissione di pregio numerata qui presentata. A introdurre l'opera inquadrando il lavoro di Sassu all'interno della storia di altre edizioni illustrate del capolavoro di Maozni la preziosissima prefazione di Giancarlo Vigorelli. 490 x 335 mm, legatura in piena pelle verde con titoli oro al dorso a 5 nervi, pp. XV [1] 441 [15], 58 tavole a colori fuori testo. Edizione originale di pregio. Esemplare numero 511 di 1999 firmato dall'artista al colophon e pregiato da dedica autografa dello stesso al frontespizio al critico Andrea Bisicchia. Tracce di umidità al lato inferiore delle carte e qualche segno del tempo ai piatti, per il resto in ottimo stato. legatura in piena pelle verde con titoli oro al dorso a 5 nervi,

Paris: Baudry, 1827. Small 8vo., 3 Vols; attractive period binding of half vellum over aqua paste-paper boards; spine decorated in gilt with contrasting red leather label gilt; red speckled edges; pp. [vi], 2-305, [i]; [v], 2-319, [i]; [v], 2-362 [ii]; a lovely set, slightly splayed from the vellum, with some all-over dust soiling, particularly affecting Vol III of the set; a little rubbed, and some light spotting to the prelims, particularly the final few pages of Volume I, and the first and last few of Volume II and III; still a very uptogether set, tightly bound. Provenance: signed by Caroline Darwin, Darwin's sister, to the front paste-down of Volume I. Together with two autograph notes from Ursula Vaughan Williams, wife of the composer who was the great nephew of Charles Darwin. Third Baudry edition, published in the same year as the first Milan edition. The Betrothed, most "famous and widely read novel in the Italian language" (Colquhoun: Manzoni and his Times) was an instant success upon publication. It was originally published on 15 June 1827, after two years of corrections and proof-reading. Upon Manzoni's own insistence, it was initially published in the Lombardic dialect, before being revised for republication in 1842, with the regionalisms removed. No fewer than nine editions subsequently appeared from as many publishers in the first year of publication. A number of these were piracies. This Italian language Paris edition was itself reprinted several times. The association is an interesting one. It seems it was once in the possession of Caroline Darwin, before at some point passing through the Library of the Vaughan Williams'. One note claims: "it belonged to R's grandmother & then his mother. R never read it, I'm afraid." In another, however, she writes: "the only modern novel in Italian Ralph said, that's why it was always given to students!" A fascinating assocation copy of a pinnacle of Italian Literature. In Italy the novel is considered a true masterpiece and a basis for the modern Italian language.