macchine celibi bachelor machines (19 risultati)

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. First American Edition. hardcover in dust jacket., the mostly white dj shows minor rubbing and faint wear to small places. no other flaws. no markings. no bumps, tears, chips. strong binding.; parallel italian/english text.; 236pp., illustrated throughout in b/w. contains numerous articles and essays by the above individuals. seemingly taking cues from duchamp's large glass. Size: 4to - over 9¾" - 12" tall.

First edition. Hardcover. First printing. 236 pages. Text in English and Italian with contributions by Marc Le Bot, Barzon Brock, Michel Carrouges, Michel de Certeau, Jean Clair, Peter Gorsen, Gilbert Lascault, Jean-Francois Lyotard, Gunter Metken, Alain Montesse, Rene Radrizzani, Arturo Schwarz, Michel Serres, and Harold Szeemann. Includes numerous black and white illustrations. A close to near fine copy with some slight soiling and a small former owner signature to the front free endpaper in a near fine dust jacket with some very minor wear.

Hardcover. tall, white boards w/ brown printing. 236 pgs w/ bw illustrations. glossy white illustrated dustjacket w/ fuchsia printing. Text in Parallel Italian and English. Page 74 has some light, yellow smudging to edge, othewise, clean copy. A wonderfully odd book on the fusion of man and machine. VG/VG-. light shelf-wear to lower cover edges; indentation to upper cover edge. creases to back cover. lower edge of spine end tanned. dustjacket toned; edge-wear, slight tear to lower edge; open tear to back cover edge; scuffs & scratches.

Brossura editoriale, piatto anteriore illustrato, sovraccoperta editoriale in acetato trasparente, testo su due colonne in italiano e inglese, catalogo riccamente illustrato in b/n della mostra "Le macchine celibi", allestita da Gino Valle e presentata durante "La Biennale. Un laboratorio internazionale. Settore arti visive e architettura" dal 6 settembre al 30 ottobre 1975 ai Magazzini del Sale alle Zattere a Venezia. Strappi e mancanze al margine superiore della sovraccoperta, all'interno in ottimo stato. in 8° grande pp. (4), 236.

Hardcover. Condizione: Like New. Condizione sovraccoperta: Fine. Condition: Fine; Dust Jacket Condition: Hardcover in dustjacket. Text in Italian and English. Condition is Fine in a Fine dustjacket. A clean, tight copy. A unique book that was distibuted in the U. S. by Rizzoli International. Photos upon request.

hardcover. Condizione: Ottimo (Fine). 1975. Copertina editoriale in brossura rigida e sovraccoperta a. 236 p.; Ill.; 24 cm. Testi in italiano e inglese.TS.13. Book.

Soft cover. Condizione: Good. spine crease, browning, binding rather loose but sewn, stamp to underside of rear cover, inscription/writing on underside of front cover. Text in Italian and English.

Hardcover. Condizione: Near Fine. 1st Edition. New York: Rizzoli, 1975. First edition. Hardcover, 236pp., 7.5 x 12 inches. Near Fine. Gently yellowed dust jacket with minimal markings. Faint rubbing to rear. Inside pages are clean and sharp, with no bumping or creasing. Catalogue published in conjunction alongside a series of exhibitions on the subject of "Bachelor Machines," a term first used by Marcel Duchamp in connection with work that would later become "The Bride Stripped Bare by Her Bachelors, Even." Szeeman's introduction connects Duchamp's apparatus with Kafka's Penal Colony and works by Francis Picabia, Man Ray, and Max Ernst. Parallel text in English and Italian with contributions by Michel de Certeau, Jean-Francois Lyotard, and Michel Serres, among others. Profusely illustrated.

Paper over boards with dust jacket, 7 1/4 x 11 1/4 in., 236 pp. Text in English and Italian with contributions by Marc Le Bot, Barzon Brock, Michel Carrouges, Michel de Certeau, Jean Clair, Peter Gorsen, Gilbert Lascault, Jean-Francois Lyotard, Gunter Metken, Alain Montesse, Rene Radrizzani, Arturo Schwarz, Michel Serres, and Harold Szeemann. Bump to upper right corners front and back. Jacket shows minimal shelf wear with small bookstore sticker to inside front flap. Very good plus to near fine.

hardcover. Condizione: fine. Condizione sovraccoperta: near fine. Black & white illustrations, 236 pages, tall 8vo, white boards, d.w. New York: Rizzoli, (1975). Near fine. Text in English and Italian printed in double column.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st Edition. 4° - 236pp - Photo-Reproductions and illustrations. Published as Catalogue to the Exhibition "The Bachelor Machine" in Berne, Paris, Malmö & Amsterdam. First edition, text in Italian and English language. Original binding and original dust-jacket. In Fine condition.

Softcover, 236 pages, all essays in English and Italian; very good minus condition: crease to spine; light wear to covers; no internal marks. Laid in is the exhibition handout, single sheet folded to make 8 pages, printed both sides, in Italian, with texts by Szeemann, Michel Carrouges, and Vittorio Gregotti, including a checklist of the how the exhibition was arranged by room with 194 items listed. This sheet is rufffled along top edge. Foreign shipping may be extra.

Hardcover. Condizione: Good. Clean copy in good condition. Quick dispatch from UK seller.

Rilegato. Condizione: come nuovo. Venezia, Alfieri, 1975. Cm. 18x29, pp. 236 ill. bn. nt., ril. Catalogo della Mostra tenutasi a Venezia presso i "Magazzini del sale" (6 Sett. - 30 Ott. 1975) dal titolo "Un laboratorio internazionale", svoltasi all'interno della Biennale 1975.

In 8 (cm 18,5 x 28), pp. 236 con riproduzioni fotografiche in bianco/nero. Bruniture ai primi e agli ultimi fogli bianchi. Legatura editoriale in piena tela con sovraccoperta. Testo su due colonne in italiano e traduzione inglese. Catalogo della mostra curata dallo svizzero Harald Szeemann tenutasi alla Biennale di Venezia nel 1975. La macchina celibe e' la denominazione che Marcel Duchamp ha dato alla parte inferiore del suo Grand Verre.ÂLe opereÂpresentate da Szeemann evidenziavano lÂ'aspetto di 'apparati' che riguardavano il corpo e le sue varie attivita'.ÂLa macchina celibe rappresenterebbe il tentativo di esorcizzare il passare del tempo attraverso una chiusura nei confronti del mondo esterno: l'arte come castello incantato dove rimanere giovani per sempre, a patto di trasformarsi in una macchina per dipingere. La macchina celibe e' un delirio autoerotico in cui l'energia (il seme) non viene rilasciata ma continuamente reinvestita nell'ossimoro di una produzione asessuata. Testi di:ÂMarc Le Bot, Bazon Brock, Michel Carrouges, Michel de Certeau, Jean Clair, Peter Gorsen, Gilbert Lascault, Jean Francois Lyotard, Gunter Metken, Alain Montesse, Rene' Raddrizzani, Arturo Schwarz, Michel Serres. ITA.

Hardcover. Condizione: Very Good+. Condizione sovraccoperta: Very Good-. Hardcover; tall 4to; 236 pages. White textured paper hardcovers with brown text on cover and spine. Lightly-scuffed. Rubbed edges. The pages are bright, glossy, and clean. In a white jacket with purple text. Faded overall and moderately scuffed. In a mylar jacket. VG+/VG-. Book.

Venezia, Alfieri, 1975, 4to stretto (cm. 28 x 17,5), brossura editoriale con copertina illustrata e pergamino protettivo originale con titoli in viola, pp. 236 con un ricco e interessantissimo apparato iconografico. Testo bilingue su due colonne, in italiano e in inglese. Scritti di M. de Certeau, J.-F. Lyotard, A. Schwarz, M. Serres e altri. Opera bella e importante. Difetti al pergamino, peraltro in ottimo stato di conservazione.