notre dame de paris di hugo, Prima edizione, Copia autografata (8 risultati)

Hardcover. Limited Edition #301/1,500. Large octavo, 331 pages. In Very Good condition with Very Good minus condition slip case. Spine is brown cloth with a black leather label and gilt lettering. Slip case has mild shelving wear along extremities and moderate rubbing wear, creasing, and chipping to corners. Boards have mild shelving wear along extremities. Text block speckled magenta. Signed by Bernard Lamotte [Illustrator]. Shelved in hallway overflow. 1394970. Special Collections.

Hardcover. Condizione: Very Good+. Lamotte, Bernard (illustratore). 1st Edition Thus, Limited. First LEC edition, hardcover with Monthly Letter laid in, signed by Lamotte, and marked no. 647/1500 on the limitation page. The book has a slight skew to the binding, light bumps to the spine ends, and very faint sunning to the spine. Otherwise, this is a solid, tight Very Good+ copy in a Very Good slipcase, which has wear to the corners with a touch of flaking to the paper, a short split starting from the opening at the upper right seam, rubbing with some small spots and smudges to the panels, and slight shelfwear to the edges.

Softcover. Condizione: Very good. No jacket. #707/1500cc, signed by illustrator Frans Masereel. One of the few books done by LEC that is paperbound. Introduction by Andrew Lang.

Soft cover. Condizione: Very Good. Frans Masereel (illustratore). 1st Edition. Two quarto volumes (7-3/4" x 10-1/8") bound in pink Ingres paper wrappers. Introduction by Andrew Lang and illustrated with woodcuts by Frans Masereel. Copy numer 968 of 1500 copies. Signed by Massereel on the colophon. Signed by Illustrator(s).

Soft cover. Condizione: Near Fine. 1st Edition. Limited Editions Club Paris 1930, 1930. Soft cover. Condition: Fine. 1st Edition. Illustrated with woodcuts by Frans Masereel. Limited to 1500 numbered copies signed by Masereel. Two, glassine tissue covered, soft-bound volumes. Unique French binding production for the LEC. Introduction by Andrew Lang and illustrated with woodcuts by Frans Masereel. George Macy noted that upon reception of their copies, many members felt "cheated because the two volumes were paperbound." Books are in fine condition - clean and fresh. Volume Two cover has separated along seam with age - is included. The two part slipcase is complete but has edge wear and split edges, thus good condition. It is very unusual to find such a clean copy in the original chemise and slipcase. Signed by Illustrator, Masereel. Inscribed by Illustrator(s).

Leather. Condizione: Good. Various (illustratore). First edition. The first illustrated edition of one of Victor Hugo's best known books, in the original French, inscribed by Hugo himself. The first illustrated edition, first issue, and the first edition complete in one volume.Inscribed note from Victor Hugo adhered before the half-title. 'A mon bien cher ami . Victor Hugo'.Very uncommon to find a copy of Notre-Dame dedicated or inscribed by Hugo.We believe this was dedicated at the time of publication.Illustrated with an engraved title, and ten plates.This is an early copy without the plate 'De l'utilité des fenêtres', as is common, as the plate was not yet ready when the work was published.In the original French.'Notre-Dame' is one of the most famous French novels written. It is a Gothic novel, set in Paris in 1482, surrounding the cathedral of Notre Dame. The story follows the gypsy Esmeralda, as she captures the heart of Quasimodo, the bellringer of Notre-Dame.Written by Victor Hugo, a Romantic novelist, best known for this work and for the epic 'Les Miserables'.Illustrated after Louis Boulanger, Alfred Johannot, Tony Johannot, Denis Auguste Marie Raffet, and Camille Rogier.Bookplate of Oliver Brett to the front paste down. The 3rd Viscount Esher, Brett was notable for being a chairman for the National Trust for 25 years, and being involved in many important cultural and artistic charities. In a quarter morocco binding with paper to the boards. Externally, generally smart. Rubbing to the boards, resulting in two chips of loss of paper to the front board. Light rubbing to the extremities and spine. Minor discolouration to the boards. A few minor marks to the boards and spine. Very light bumping to the extremities. Bookplate to the front paste down. Clipping pasted to the verso of the front endpaper. Internally, firmly bound. Pages are bright and generally clean with the occasional spot. Tide mark to the top edge and fore edge of the engraved title, and fainter to the title page, and to plates facing pages 61, 124, 261, 299, 424, 462, and 511. Good. signed by author. book.

First edition, third issue. Johannot, Tony. First edition, third issue. Title vignettes by Tony Johannot. [viii], 404; [iv], 536 pp. 2 vols. 8vo. First edition, third issue, of Hugo's first great success as a novelist, The Hunchback of Notre-Dame, in a fine retrospective binding by René Aussourd. Though styled the "Troisème Édition" on the title-page, this is in fact the third issue of the first edition. The entire edition consisted of four separate issues of 275 copies each, with each issue designated as a separate edition on the title-page. Notre-Dame de Paris is more commonly known in English as The Hunchback of Notre-Dame, the title under which the first English translation by Frederic Shoberl appeared in 1833. Set in 15th-century Paris, the novel introduces a memorable cast of Romantic characters; some, such as the hunchback Quasimodo and the gypsy girl Esmérald, have so permeated our culture that they've reached the status of archetypes. Hugo hoped that his novel would reverse the sad neglect of Gothic architecture in his country, much of which had fallen into ruin or been brutally altered. Indeed, Hugo created a depiction of Notre-Dame "so erudite and familiar that it caused a revolution in architectural taste. The success of this darkly moving novel was immediate, establishing Hugo as the premier historical novelist of his time" (Oxford Companion to Literature in French). In a fine retrospective French romantic binding by René Aussourd, recalling the work of Simier or Thouvenin. Aussourd studied under his uncle Charles Meunier and was first gilder at Chambolle-Duru before starting his own business in 1912 (Devauchelle III, p. 243). Carteret I, p. 402 Bound to style in the early 20th-century in red half morocco and embossed paper over boards, smooth spines stamped in gilt and blind to cathedral design, t.e.g., the rest uncut, by René Aussourd (signed in gilt at foot of spine and on front free endpaper). Slight rubbing to extremities, expert paper repair to lower outside corner of vol. I half-title, and repairs to a few other paper faults throughout. In a custom gilt-ruled full brown morocco slipcase and chemise by R. Patron Title vignettes by Tony Johannot. [viii], 404; [iv], 536 pp. 2 vols. 8vo.

Paris, Renduel, 1836, in-8 de (4)-631 pp., rel. d'ép. signée de BOUTIGNY, (en bas du dos), plein maroquin chamois, dos lisse orné de motifs à lambrequins dorés entourant le titre, et en tête et en pied, plaque ornemental frappée à froid sur les plats, dans un encadrement d'un large filet doré, titre doré "Notre-Dame de Paris" frappé au centre du 1er plat, (quelques piqûres sur le dos), tranches dorées, rousseurs parfois assez marquées dans l'ouvrage, sinon bel exemplaire, rare dans une reliure personalisée de Boutigny. Première édition illustrée, dite édition Keepsake, parue en un seul volume et 5 ans seulement après l'édition originale. Elle comprend, 1 titre-frontispice gravé et 11 compositions par Tony Johannot, Boulanger, Raffet, Rogier et Rouargue gravées par Finden, Staines etc., toutes sont hors-texte et sous serpentes. Les illustrations sont tirées sur Chine et montées sur vélin fort. La planche "De l'utilité des fenêtres" qui est bien présente ici, manque souvent selon Clouzot (p. 45). Cette édition fut tirée selon Clouzot à 2000 exemplaires, qui signale par aillleurs, et à juste titre que "l'ouvrage est le plus souvent fortement piqué".